Blogger KRISTI HOLL is the author of 42 books, including MORE WRITER'S FIRST AID.

Share |

Pages

Blogroll

Archives

Categories

October 1, 2010

brain2Two weeks ago I was supposed to meet with six writers at an SCBWI conference to discuss manuscripts I had critiqued for them. I was unable to be at the conference, so I mailed their manuscripts and did phone conferences instead.

(FYI: I missed the conference for the best of reasons. My middle daughter flew home that weekend from her third long deployment in Iraq. We went to Phoenix to meet her plane. Hallelujah!)

The Things We Say!

Anyway, listening to the writers during the conference calls, I was struck vividly by the differences in their words. Some sounded like they could write “Murphy’s Laws for Writers”: everything was negative, they just “knew” that they wouldn’t sell anything anymore, “everyone” said you couldn’t publish unless you were a “big name,” etc.

On the other hand, about half were the most positive people I’d talked to in a long time. They knew the economy was challenging right now, but they were buckling down, writing more, and finding unusual markets for their work. They found silver linings for the dark clouds, sounded a lot happier, and were sure enjoying their writing more.

Surprisingly, each group had newbie writers AND much published writers. That wasn’t a factor in the attitudes. Then what was?

Power Thoughts for Writers

I think I found the answer when I started reading Joyce Meyer’s new book called Power Thoughts: 12 Strategies to Win the Battle of the Mind. (I highly recommend it.) I’ve done many past posts on retraining your brain, but I’m going to push it again. What we allow ourselves to think and believe is critical.

On Wednesday I asked you to leave a note about how the 100-Day Challenge was coming along, and I got some great responses (see below). I think they’re terrific examples of changing the thoughts-feelings-behavior cycle. Thanks to each of you who left a comment and shared great ideas.

Writers Who Are Changing

These comments came in Wednesday–you’ll find them encouraging in your “bit by bit” changes. I know I did! Each one had to start by changing her thinking.

THANK YOU to all who shared by the time I wrote this post. I love surrounding myself with such positive, encouraging writers!

July 5, 2010

basketConsider this quote from basketball great Michael Jordan: “I’ve missed more than 9,000 shots in my career. I’ve lost almost 300 games. Twenty-six times, I’ve been trusted to take the game-winning shot and missed. I’ve failed over and over and over again in my life. And that is why I succeed.”

His point? To be so successful, you have to be in the game a lot and willing to fail on the way to your successes. The same is true for writers.

Over and Over and Over

Do you want to be published by a traditional publisher? Then you need to write and submit consistently–and be willing to get rejected–in order to succeed. And not just once or twice or five times. You need to do this a lot.

Don’t misunderstand here. It’s not just a matter of doing something a large number of times. Even Michael Jordan didn’t just close his eyes, spin around, and throw the ball up in the air–and magically score hundreds of points. He:

Sometimes he missed–but lots of times he scored. The one thing he didn’tquit do was quit along the way.

Writing Parallels Sports

In the same way, just writing and writing and writing, then submitting and submitting and submitting, won’t do the trick. It’s not just about the volume of words you write, although volume is important. (It does take practice to make perfect.)

If you want to build the career of your dreams, you must also: 

Keep following this formula–keep on keepin’ on. The law of averages will catch up with you if you don’t quit.

What About You?

Writers struggle more with some parts of the process than others. Some can write and revise till kingdom come–but won’t submit. Others submit to editors willingly, but don’t take feedback and revise.

Which part of the above “formula” for success gives you the most trouble?

July 2, 2010

writingI can’t believe I never thought of this before! I feel ditzy even admitting this, but maybe it will help you like it’s helped me.

Aha! Moment

I have dozens of great writing books, and many of them contain terrific writing exercises to help us improve our craft. Some will improve the quality of your description, some will develop character emotions, some will pep up your dialogue, etc.

When I buy a book like this, I start out with great enthusiasm, using a clean notebook to do the writing prompts and exercises. Less than a week later, I’ve put the book on the shelf. Why?

Doing the writing exercises takes time. And I have so little writing time that I don’t feel I can spend it doing writing exercises.

What’s the Answer?

I never thought–until today–to combine the two things! I can’t believe this never occurred to me. I’m reading The Writer’s  Portable Mentor: A Guide to Art, Craft, and the Writing Life.  At first, I groaned when I read this: “Basic productivity underlies everything else. Take the chapters one by one. Actually do the exercises!

I sighed and almost quit reading. But the author, Priscilla Long, added this instruction that created the AHA! for me: “But–and this is crucial–do every exercise in relation to some peice you are working on. Don’t just make up sentences on the fly, out of your head. Instead, in your writer’s41nde-y1m9l__bo2204203200_pisitb-sticker-arrow-clicktopright35-76_aa300_sh20_ou01_ notebook, write out a paragraph from the piece you are working on as it currently exists. This is your ‘before’ paragraph. Then work the paragraph, using whatever craft technique you are currently deepening… When you get an ‘after’ paragraph you like, type it back into the piece.”

Paradigm Shift

Actually doing the exercises in the craft books (or your lesson manual) is what improves your writing craft. So put your study/craft book right beside the manuscript you’re working on and use portions of your current work to do the exercises. You’ll be growing as a writer AND revising your manuscript at the same time.

I’m going to go back and systematically use the writing exercises in all the books on my shelf–while applying the exercises to my current revison. This technique will revolutionize my studying from now on!

I realize that many of you have probably been doing this for years! But it’s news to me–and I’m excited to see how this is going to change the way I write. If you try this, let me know how it works for you.

June 23, 2010

distractionFor writers, being able to focus is critical. As Stephen Covey (author of The Seven Habits of Highly Effective People) says, “The main thing is to keep the main thing the main thing.”

Getting Sidetracked

What keeps us from focusing? Distractions. They have always been with us. Agatha Christie once said, “I enjoy writing in the desert. There are no distractions such as telephones, theaters, opera houses and gardens.”

While our modern-day distractions have changed a bit (e-mails to answer, Twitter tweeting at you, instant movies to watch on Netflix), the result of being sidetracked by them remains the same. We don’t finish our writing. We don’t study guidelines and mail that manuscript. We don’t follow up on marketing tips. If we stall long enough, we may quit altogether.

So how do we deal with things that take us away from our writing? Try adapting the Serenity Prayer for this purpose: “God, grant me the serenity to accept the distractions I cannot change, courage to change the distractions I can, and wisdom to know the difference.”

Wisdom to Know

What are some distractions you cannot change or ignore? Sometimes it’s a sick child or spouse or a crisis with a friend. Sometimes your boss gives you an overtime assignment with a “now” deadline. There may be a project that needs to be attended to without delay, like your teenager’s last-minute college entrance application. This type of interruption or distraction you have little control over. You grin and bear it.

However, we need wisdom to know the difference between the distractions that are unavoidable and those we allow–or even encourage. Chances are, you’re your own worst enemy when it comes to distractions that keep you from writing. So take courage! Change what you can in order to focus on your writing.

1. Use an answering machine to screen calls. Better yet, turn the ringer off altogether so you’re not tempted to pick up when you hear your best friend’s voice. Then return calls at lunch time or when you’ve finished your daily writing stint.

2. Isolate yourself as much as possible from the traffic flow. I now have my own office, but I’ve written in family rooms and bedrooms and dens. The family room was the most difficult with constant interruptions of TV, kids, and doorbells. The more you can shut the door on distractions, the easier you’ll find it to focus.

3. Take note of your own personal distractions. The blinds in my office are pulled because I look outside every time a car/garbage truck/motorcycle/UPS truck/bus/delivery truck goes by. I also remove all chocolate from my work space. Even hidden in the back of a drawer, it calls to me while I work and distracts me, whether I stop to eat it or not.

4. Leave the mail alone. Reading e-mail and checking Facebook or Twitter can be a major distraction. It interrupts your flow. And if your e-mail contains rejection letters and online bank statements, it can create an instant slump. So get the snail-mail if you must, but stash it in a basket until the end of the day when you’re done writing. The same is true for e-mail. Leave it unopened and unread till late afternoon (unless it’s a response from an editor!).

5. For non-emergencies, make your family wait. Barter with your family for writing time. When you’re finished, you’ll make popcorn. When you’re finished, you’ll play catch. When you’re finished, you’ll go rent a movie. (Just be sure you actually follow through on your promises!)

6. Leave home. If home is too chaotic sometimes, take your work to the library or a park or a cafe, somewhere quiet with no phone and a minimum of distractions. This is an individual thing, by the way. A quiet library study room is helpful to me. A Starbucks full of people and food is way too many distractions!

7. Organize your work space first. Arrange your work space before you begin writing, to ensure that you have everything you need. Don’t run out of paper halfway through printing your chapter. Keep things within reach. Even finding a new ink cartridge or box of paper clips in your supply closet can distract you. Before you know it, you’ve spent half an hour rearranging the closet shelves.

8. Silence can be golden. Are you as distracted by noise as I am? I run a fan on high speed for white noise, and during school vacations I also used ear plugs. If traffic bothers you–or if you’re in a quiet neighborhood where twittering birds distract you–close the windows during your writing time.

9. Change your schedule. Get up earlier and write when the world is still asleep. Phones don’t ring. Kids don’t interrupt. Your spouse is still snoring. (This works equally well if you’re a night owl and can write after the world shuts down for the night.)

10. Eat healthy meals at regular intervals. Avoid the distraction of a growling stomach or a hunger headache. If you’re always thirsty, keep cold drinks within reach. I know someone who keeps a mini-refrigerator in his office, filled with bottled water and fresh fruit, to keep him from constantly running to the kitchen.

Focus!

Take time to study yourself, discovering your own favorite distractions. Once in a while we have absolutely no control over interruptions. However, most of the time, we (consciously or not) use distractions to keep us from having to face the work and anxiety of putting words on paper.

If you had to name your biggest distraction, what would it be? And if you have a tip for dealing with that distraction, please share it! We can learn so much from each other.

June 18, 2010

typewriterWhy do some writers struggle for each word, while other writers have words that seemingly flow from their fingertips?

I’ve Got a Secret!

Are there secrets to being able to write with ease? Does anyone really know what works and what doesn’t?

Well, Daphne Gray-Grant’s article on “The Seven Habits of Highly Effective Writers” will give you a lot of food for thought in this area. She studied effective writers to discover their secrets–and has revealed them here.

Make It Personal

Read the article–study it–maybe even journal about it. We all need to periodically consider if we need to develop some new habits–and drop a few old ones.

Is there something you’d add to Daphne’s list? If so, leave it in the comments below. Then make your own list of habits you want to develop to further your writing career. Post several copies where you’ll see them daily–and then watch them transform your writing life.

March 19, 2010

scheduleGetting into the writing habit is difficult, especially in the early years of writing. Our lives are full to overflowing already, so where can we possibly fit in some writing? How can we form a consistent writing habit when our schedules change from day to day, depending on our obligations?

Believe it or not, you have more time to write than you think. Keep a time log, tracking how you spend your time for a few days or a week. If you do, you’ll spot “down” time that you use for other things which could be snagged for your writing.

Redirect Your Time

When my kids were very young, I desperately wanted to write. I realized that instead of catching up on laundry and chores during their afternoon naps, I could write. Instead of making beds and doing dishes during the morning half hour of “Mr. Rogers,” I could write. Instead of thumbing through ragged magazines for twenty minutes every Friday afternoon while my daughter got her allergy shots, I could write.

Bed making and dishes and laundry could be done while little ones milled around. I chose to write instead when they didn’t need me. That “nap-Mr. Rogers-allergy shot” schedule became my writing routine until my youngest went to kindergarten. By that time, Atheneum had published my first five middle grade novels.

Hidden Time

“But I really don’t have any free time!” you might truly think. I challenge you to study your schedule very closely. Everyone has pockets of “down” time during the day. It may vary from day to day, but usually it is consistent weekly. (For example, you may sit in the pick-up line at your daughter’s elementary school every afternoon for fifteen minutes. Instead of listening to the radio, write.)

You might free up some time by doubling up on your mindless activities. Most of us multi-tasked before the word became popular, but if you’re not, try it. While supper is cooking, don’t watch the news; pay those bills or wrap those birthday gifts, and free up a half hour in the evening to write. If you want to write YA novels, listen to those young adult books on tape while you walk your dog. You’ll be doing your “market research” for an hour, freeing up an hour later to write.

Get It in Writing

Write down whatever pockets of time that you discover can be used for your writing. Even if it’s only fifteen-minute chunks, note them. You can write an amazing amount in ten or fifteen minutes at a time-and it adds up. You may find these chunks in the “between times.” You might have a bit of time between when the kids get on the school bus and you have to leave for work. Or between your day job and supper, you may have half an hour that you wait on a child at ball practice. (I wrote a lot sitting in bleachers waiting for children at practice.)

Write all these pockets of time down on a weekly schedule and write it on your daily calendar. Make it a habit. Perhaps on Monday, Wednesday and Friday, you write half an hour before work, plus daily you write fifteen minutes before cooking supper, and Saturday morning you write an hour while the kids watch cartoons. That’s four hours of writing in a week, just in the free bits and pieces. Since many of us started writing while caring for small children and/or holding down a day job, this kind of weekly schedule may be the best you can do for a while.

And that’s fine!

Time-Honored Tradition

The highest percentage of today’s famous, best-selling authors admit that their writing schedules were exactly like this in the early years. But they had that “burning desire to write” too. And that desire is what motivates us to find those pockets of time, give them to our writing, schedule it daily, and follow through.

You can find time to write, whether it’s early morning, during your noon hour, late at night, during commutes, or in catch-as-catch-can bits throughout the day. You must integrate writing into your existing routine for it to work.

Schedules make writing a habit, which in turn makes it a permanent part of your lifestyle.

January 1, 2010

2010Because I am going to practice what I preach and go for a long hike today, I decided to post a previous article on recovering your energy. It’s worth repeating, I think.

HAPPY NEW YEAR!

In a previous blog on “Managing Your Energy Fully,” I quoted from the book The Power of Full Engagement:

To be an effective energy manager, you need to spend nearly all of your time fully engaged in the high positive energy quadrant or recovering your energy by spending time doing things in the low positive energy quadrant.

Definition of Terms

The low positive energy quadrant consists of doing activities that leave you relaxed, mellow, peaceful, tranquil and serene. For me, that means reading a good book or watching a good movie or spending time with certain people with whom I’m on the same sympathetic wavelength.

For you, such positive-energy producing activities may include fishing, golf, sitting in your porch swing, listening to music, going for a bike ride or stroll, or any number of things. The important point is this: unless you spend sufficient short periods throughout your day in intermitten recovery, you’ll burn out and experience a host of other unpleasant symptoms.

Is It Really That Important?

Yes, if you spend all day writing furiously on your novel, zipping along in your high energy positive quadrant, you’ll produce an amazing amount of work. That day, anyway. Maybe even two days in a row, but that will be it.

By relentlessly spending mental energy without recovery, you’ll be tired, anxious, irritable–and self-doubt will inevitably set in. In a tired state, our stories stink, our ideas sound hackneyed, and our prose deadly dull. At that point, we end up taking off more time from the writing than we would have if we’d made ourselves take those intermittent breaks throughout the writing day.

The Pay-Off

What’s the result of taking those short “low positive energy” recovery breaks? You’ll come back to your work more energized, less ache-y in the neck and back, and more emotionally upbeat.

The emotional component is just as important as your physical energy level! Defusing the bombs of self-doubt and anxiety will help your writing as much as feeling re-energized. And in the end, you’ll write more, not less, by taking the short breaks throughout the day.

Give it a try for a week and see. I think you’ll be amazed.

October 26, 2009

 nanowrimoAre you still undecided about whether to try NaNoWriMo this year? If so, the following message might be enough to nudge you into registering. This offer came in an email from the director of NaNoWriMo, Chris Baty. [When he refers to a NaNoWriMo "winner," it just means that you were able to create 50,000 words by the end of November.]

 

“We hope that you’ll be joining us for another month of literary abandon in 2009. For this year’s winners, we’re excited to announce that CreateSpace.com is once again offering all NaNoWriMo 2009 winners a free proof copy of their winning manuscript. What this means: A free proof copy of your 2009 manuscript in paperback book form. They’ll even cover the costs of basic shipping to you. We’ll be posting the code for all winners on the “I Wrote A Novel Now What?” page on December 2. In the meantime, you can read more about the offer in the NaNo forums.

To redeem the CreateSpace offer-and grab this year’s awesome NaNoWriMo winner’s certificates and web badges-you just need to come by the NaNo site and sign up for another season of literary abandon if you haven’t already. And then, when November 1 rolls around, we’ll sit down together and watch our latest high-velocity masterworks spill out onto the page.”

Countdown November 1st!

You don’t have anything to lose, but a lot to gain by signing up for NaNoWriMo. You’ll receive inspirational articles and emails from famous writers to help you keep going. There are forums, local social gatherings, and NaNo videos at the website. Keep up with current events and offers on the NaNoWriMo blog too.

I’ll remind you NaNo writers at the end of next month to go and claim your free bound copy of your NaNo project. You’ll choose your own cover, so keep that in mind as you near the end of November. Make this year’s NaNoWriMo project a keepsake you can hold in your hands–and let it inspire you all year round!

October 16, 2009

conferenceA year ago, I urged you to sign up for the free Muse Online Writer’s Conference. It’s been running this week, October 12-18, and my brain is over-stuffed at the moment. (Next time I won’t sign up for 28 different workshops!)

I’ve attended lectures on voice, overcoming creative blocks, writing tight, plot points and tension, enjoyed Q & A with agents and editors, pitched my middle-grade novel to an agent and got a “go ahead,” and so much more. Forums contain lecture notes and assignments, plus postings of lessons with feedback. The handouts were especially good, and I have a small binder full.

It was also especially helpful to me this year for health reasons to be able to sit in my good office chair, sleep in my own bed, eat my own food, and get up and walk around when necessary. I Skyped with a writer friend a couple of times this week (who was also “attending” the conference via her computer.) Discussing some of the workshops was helpful.

Don’t Miss Out!

It’s been a full week, and admittedly I got behind on the assignments. Next year, if I’m lucky enough to get one of the 1,000+ spots available, I will have to be more selective. I was, admittedly, like a kid in a candy store–where the chocolate was all free!

There are so many wonderful things about the Muse conference, and directors Lea Schizas and Carolyn Howard-Johnson are to be commended for the tremendous amount of work they’ve done to give writers this chance.  I’ll let you know when it’s time to sign up for next year’s conference. You don’t want to miss this opportunity.

February 13, 2009

Yesterday my critique group met for its weekly meeting. While we do include food and fun, it doesn’t take us long to get down to business. Manuscripts come out, the timer is set, and we’re off.

My critique group grew out of a Jane Yolen workshop fifteen months ago. Our weekly critique group has proved remarkably helpful to me in my desire to write more. I’ve tried critique groups before, and they’ve always fizzled out. This time, however, the group is made up of four serious writers. At the meetings we each read a chapter to critique, and the meetings last between three and four hours. It has been very helpful for a couple reasons.

a) Accountability: We are each expected to take our critique time seriously and show up each week with work to critique. Knowing this–and knowing that the other three women will be there with their chapters–has kept me writing on three projects this year. I’m making steady progress, and the critique group’s advice has been invaluable. Each writer raises different questions and makes different suggestions for change and improvement.

b) Time invested: All of us are busy, and to give up one whole afternoon per week to critique forces us to work hard during the week on our projects. None of us wants to show up with less than our best work. It would be wasting our time–and everyone else’s.

I think one key to a successful group is finding other writers equally committed to working and improving and growing. If you’d like to find such a group, “Writer’s Critique Groups: where to find them” on Harold Underdown’s Purple Crayon site gives valuable advice. A good place for children’s writers to find partners for manuscript exchanges is SCBWI (the Society of Children’s Book Writers and Illustrators).

If you want to join or form such a group, but you’re not sure how to critique, see the five articles on the process of critiquing at Writing-World.com

Yesterday morning, I wrote almost four hours in order to have my chapter ready for critiquing in the afternoon. Would I have worked that hard yesterday otherwise? No. So if you’re having trouble setting personal deadlines and keeping to a writing schedule, consider joining a critique group–or forming one of your own. It will help you write more–and you’ll have fun doing it!

Newer Posts »