October 28, 2011

Achieving the writing life of your dreams–is it possible? Are you closer to it than you were a year ago?

Here are some great articles to read and consider if you hope to make the dream of a writing life into a reality.

“Are You Living Your Own Life or Someone Else’s?” If we are not careful, we can unconsciously be following someone else’s agenda for our lives. This may be your first step toward achieving the writing life of your dreams.

“Novelists: Stop Trying to Brand Yourselves” is a refreshing and hopeful post for fiction writers. You’ll breathe a sigh of relief with this one.

“The Power of Incremental Change Over Time” Most people underestimate this. They think they have to take massive action to achieve anything significant.

“4 Reasons It’s Easier Than Ever to Be an Author” “When I started writing, it also seemed like everyone else was in control. I prepared a book proposal, then waited for a publisher to offer me a contract. I wrote the manuscript, then waited for booksellers to order the book. I published the book, the waited for the media to book me.” Not anymore, says this author, former publisher, and former editor.

“The Writing Journey: Author Beware” is one agent’s warning about using self-publishers and what to look for in the way of scams and unethical practices. She makes a good case for having an agent, but as you may know, landing an agent isn’t necessarily easy. You could do what I do: make an agreement with an agent to look over your contracts for a flat fee with an eye to marking questionable phrasing and things you could negotiate for.

“Write with Flow Workshop” is added here because I happen to use the Fractal Method of organization and I love it. Whether you sign up for the workshop or not, the article is a good read. Enrollment ends on Oct. 30.

March 11, 2011

[Back in December I told you about an online writing class I planned to take. I promised to follow up on it when it was over. This is my review.]

I just finished Jordan Rosenfeld’s eight-week online writing class called “Fiction’s Magic Ingredient.” She’s the author of that very helpful book Make A Scene: Crafting a Powerful Story One Scene at a Time.

Here’s the class arrangement: there was material to read each week, then send-in assignments (usually two assignments ranging from 500 to 1000 words long) which Jordan critiqued and returned within a few days. We could write new material or apply the lessons to a work in progress (which I did). [More about the class below.]

When I first read through the exercises Jordan wanted us to do, I tried them out in my head, and they sounded easy. On paper, though, it was a different story!

The Rubber Meets the Road

Heather Sellers (in Chapter After Chapter) remarked on this phenomenon. “A failing we writers have is that we confuse the voices in our heads with writing; we tend to do exercises in our heads because thinking and writing feel so closely related…What’s in your head does not count, not for sculpture, not for book writing. Pencil on paper is what matters.”

The work we all did for Jordan’s class reminded me of such writing exercises. I often read the exercises and think I understand and will be able to whip it off in no time flat. Not so! 

Even after revising each assignment several times, Jordan’s insightful critiques came back with more suggestions on how to take the concept further, go deeper, weed out the clichés, and much more.  I felt challenged–and grateful that I got my money’s worth. I have gone on to apply the lessons to my novel this week.

Comparing Prices

I don’t mean to over-emphasize the money issue, but most of us need to get the most bang for our buck that we can. I was comparing the cost of Jordan’s class (I signed up early to get her discount) and was very pleased with what I received.

The material sent each week (5-6 single spaced pages) was new material, not excerpts from Jordan’s excellent Make a Scene book. The new material built on that. The amount of critiquing we received really surprised me. It was much more than you get at a writer’s conference where you pay extra for a faculty critique.

Last year I signed up and paid for (in advance) two writing conferences. The cost of each conference (not including hotel room or food) plus the personal critique (which was extra) was as much or more than Jordan’s online class–and you got much less for it, in my opinion.

So Flexible!

The other thing I noticed was related to health and family issues. About the two conferences I signed up for last year: I had a family emergency during the first one and was running a fever the other time–and missed both conferences. (No money was refunded.)

During Jordan’s eight-week online class I was sick ten days, but my fever didn’t endanger any of my classmates. I could still work, bit by bit, on my assignments. I didn’t miss any critiques. I also dealt with and worked around two unexpected family needs. I loved the fact that I didn’t pay for something I had to forfeit in the end.

Shifting

This experience has made me re-think my coming year and where to spend my time and small amount of conference money. I liked being able to use my novel-in-progress for the writing exercises, for one thing. It was a great way to combine the current novel revision with the class. (With the conference critiques, both manuscripts had to be submitted at least eight weeks before the conference. I’ve done this in past years, and by the time the conference rolled around, I had revised it several more times so the critique wasn’t very helpful.) 

I’m sure there are online scam writing classes to watch out for, but if you decide to spend money on further writing study, you can’t go wrong with Jordan’s Fiction’s Magic Ingredient class. She has another class of Fiction Magic starting later in March and a “Revise for Publication” class starting in May.

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