June 30, 2010

Is the advice “write what you know” valid? Yes, definitely. And no, not always.

It’s confusing advice!

Practical Knowledge

“Write what you know” makes sense when you’re ignorant in some area. For example, I know nothing about vampires, have never read a vampire book, can’t understand the whole vampire movie thing, and can’t for the life of me figure out why a blood-sucking boyfriend would be romantic. It’s just me.

This is the point though: I don’t know about vampires, and I have no business sitting down today to write a vampire novel. It would be so full of ridiculous ideas and mistakes that it would be laughable. I don’t care to look that foolish.

Use Yourself

On the other hand, says Ursula K. Le Guin in “Make your fiction truthful” (The Writer, July, 2010), “Write what you know doesn’t mean you have to know a lot. It just tells you to take what you have, take who you are, and use it. Don’t try to use secondhand feeling: use yourself.” So, does ”write what you know” mean “write exclusively about your personal experiences”?

No, I don’t think so. What you “know” can come from your personal experience–that’s true. But it also comes from other people’s experiences, from books you’ve read and movies that moved you, from research and travel–all blended together when you use your imagination.

The Best of Both Worlds

I believe in “write what you know,” but I’ve also had eleven mysteries published. I will swear to you that I’ve never stolen, kidnapped, set a place on fire, or blackmailed anyone, but I’ve written about it.

However, I made aspects of those stories familiar too. I set those mysteries in the midwest, where I lived all my life. Five are set in real places I’d visited many times. I used many people I knew for my characters. I developed themes that were coming true in my own life or my children’s lives. The character growth and change was real–and it was often me.

Get to Know Yourself

Le Guin says it this way: “If you take it in its deepest meaning, ‘write about what you know’ means write from your heart, from your own real being, your own thoughts and emotions…If you don’t know who you are and what you know, if you haven’t worked to find out what you yourself truly feel and think, then your work will probably be imitation work, borrowed from other writers.” (I hope you’ll get a copy of The Writer and read her entire article.)

You may not think you know much or have had enough interesting experiences, but you’d be wrong. If you have my Writer’s First Aid book, read the chapter on “Getting to Know You…” Take the lengthy survey about your life and keep the information in a writer’s notebook.

The answers to that survey will unearth enough information about YOU to last you a writer’s lifetime.

September 12, 2008

I’ve been stumped by a change I need to make in my current novel, and yesterday my critique group let me know that I still didn’t have it fixed. Argh! So this morning over breakfast, I decided to read an article in the October The Writer Magazine called “Survive the Revision Process” because I thought I might not (survive, that is). The article turned out be about writing short nonfiction, but when I flipped back a few pages, I found Phyllis Whitney’s terrific article, “10 Ways to Cure the Midnovel Blues.” That’s certainly what I had! One of her suggestions (“Tie your characters to your setting”) gave me an idea that I am sure will finally fix the issue I’ve been struggling with.

Don’t overlook the help and support you can find in writing magazines (print and online) and writing books (print and e-books). Don’t waste time and energy re-inventing the wheel. Otherwise, you might give up when, in fact, a bit of encouragement from another source could solve your problem. Phyllis Whitney died earlier this year at the age of 104, or I would write and thank her for her help. I had been dreading the revisions this morning, but now I know what to do! Can’t wait!