April 22, 2011

For a long time (for many years, in fact), you can “write what you know” without running out of material or repeating yourself. Many of your deepest themes and best material will grow out of your own experiences.

However, don’t overlook the world around you for new ideas–or just new twists and subplots for your writing.

Reaching the World

The world outside your own experience can give your writing the freshness it needs to stand out. It can also provide you with new angles on old topics.

While it’s lovely to be able to travel widely, many of us have neither the time nor the resources to do so. Most of my traveling has been of the “armchair” variety–through books, PBS specials, video cams set up around the world, and websites. All these are helpful. Here are a few more ways to be inspired by the world happening around you.

In the News

I’m afraid I’m guilty of having never read a newspaper front to back (or back to front, for that matter.) World news and events rarely make sense to me unless they’re explained by someone in simple sentences. However, if I skip the front pages and go to the opinion pages and lesser known human interest stories, there’s a wealth of story ideas to be found.

Often you can put two stories or two headlines together and free associate a bit–creating a whole new and creative idea. (NOTE: I find that small town newspapers are sometimes the best. They cover stories that aren’t “big” enough for major papers, but they give terrific details that bring things to life.)

Another suggestion I read somewhere was to pay attention to what is going on in your neighborhood (or apartment complex). Pay attention to community events’ calendars. Watch and listen to others on your commute or in the booth behind you at McDonalds. Truth is still stranger than fiction–and often just what you needed to spice up your story.

More Nonfiction

If you’re like me, your “fun reading” time is spent mostly on fiction. I do read quite a bit of nonfiction dealing with writing or families, but very little on subjects like history, economics, art, or the sciences. Exploring various subjects–looking at something through the eyes of a historical event or unusual health issue–can prompt many story ideas, subplots, and unique characters. You can find this kind of nonfiction information by exploring out in “the real world” or online.

Exploring the lives of other artists can prompt your creative muse as well. As writers, we sometimes need to enjoy other types of art, even if we don’t understand much of it. (I usually don’t.) But there’s something about wandering through an art gallery, studying the paintings that touch you or sculptures that capture your imagination, that stirs a writer’s sleeping muse. A crafts fair, an antique mall, a botanical museum–each can be a source of new ideas.

When you feel dry, where do you go for inspiration?

January 5, 2011

I’ve been reading a book on how fear affects writing (and art-making of all kinds). Fear is what holds many (even most) of us back from being the writers we dream of being–and probably could be.

Art & Fear suggests that these fears fall into two main categories: (1) fears about yourself, and (2) fears of how others will receive your work.

The fears about yourself prevent you from doing your best work. Fears about your reception by others prevent you from doing your own work.

The Great Pretender  (or fears about self)

When you doubt your own abilities, you feel like a fake, an impostor. You feel like your best work was an accident, a happy fluke that you can’t seem to duplicate. It feels as if you’re going through the motions of being a writer–typing, reading how-to books and magazines, attending conferences–but you suspect that you don’t really know what you’re doing. (And we wrongly assume that all those other writers DO know what they’re doing.)

You also suspect you don’t have any real talent. After all, talented people perform their art with ease. Writers might start out that way, but inevitably you reach a point (if you’re truly working) where it definitely is NOT easy! You take that as a sign that you don’t really have enough talent to be a writer after all. (Truth: talent is a gift, and most people have enough talent. Probably 95% of success is what you do with it–and for writers, that means showing up at the page consistently.)

These fears WILL keep you from doing your best work.

Whose Priorities Count? (or fears about others)

The best writing is not produced by committee. It’s produced when a writer who is passionate about an idea is left alone to create. At these times we aren’t even thinking about others.

Problems arise when we confuse others’ priorities with our own. In our heads, we hear these critical voices. (Some come from our pasts, some from current writing friends, some from what we read in magazines and publishing journals.) Since published writers depend on reviews for sales, what others think has to matter at some point. However, when others’ opinions–how they think we should write–influences you too much and too soon in the process, you stop writing what you truly love and start writing what “they” have said is better or more salable.

Wanting to be understood is a basic need, and writers want others to understand their stories. They don’t want to be booed off the stage for being too different. (We all learned at an early age the dangers of being considered different or weird.) So the inner war continues with writers: can I find the courage to be true to what I need to write, or will I buckle to others’ opinions so I have a better chance of being received well? Buckling to fears of being misunderstood makes you dependent on your readers or audience.

These fears WILL keep you from doing your own work.

Ponder This…

This coming week, when you’re out scooping snow or taking a walk, give these two questions some thought:

What fears do you have about yourself that prevent you from doing your BEST work?

What fears about your reception by others prevents you from doing your OWN work?

And if you’re REALLY brave, leave a comment about one (or both). It will give me ideas for future topics!

December 1, 2010

Even if you didn’t participate in this year’s November National Novel Writing Month, you can still have access to their NaNoWriMo pep talks that were sent throughout November to participants. Many of them are excellent!

Here’s what it says on their website: “We recruited an all-star team of authors to share their advice and thoughts on writing. Their pep talks will be emailed to participants throughout November. We hope their insight and encouragement help you on your way!”

Here you’ll find pep talks from some of the finest and best-selling writers of our time. Some are serious nuts-and-bolts advice talks while others are tongue-in-cheek funny. Either way, they’re an encouragement to those of us who are challenged on a regular basis with our writing.

Here are a few quotes to whet your appetite:

From Chris Baty: “Incite change. If your story is losing momentum, juice it up by inflicting some major changes on your characters. Crash the spaceship. End the marriage. Buy the monkey. Change is scary because we have to figure out what comes next. But feeling afraid is ten times better than feeling bored, and your book will benefit from your risk-taking. Go big this week! You won’t regret it.”

From Aimee Bender: “What we hold in our heads before we write is RARELY in sync with what shows up on the page, and if I were standing and saying this in front of you with a megaphone, I would say this next part especially loud and clear: The Page is All We Get. What shows up on the page? Well, that is your writing. The full-blown perfectly-whole concept you may have in your head? Is just thought.”

From Holly Black: “Here are some things I wish someone had told me when I was writing my first book. I want to say them to you in the hopes they will help and encourage you. Even if you’ve heard them before, it doesn’t hurt to be reminded.” And then she follows this with seven tips that are right on the money.

From Lindsey Grant: “You’ve been carrying around a story for a while now and you finally started writing it. Getting started is hard enough, but then you went on to write for a full week, bringing your story to life and making your noveling dream a reality. You’re well on your way, writer, and you have come so far already! Don’t let your inner editor convince you that this isn’t worth your time, or that you should start over, or-even worse-that you should start over some other time. For this novel there is no “later.” There is only now.”

From John Green: “All of us harbor secret hopes that a magnificent novel will tumble out of the sky and appear on our screens, but almost universally, writing is hard, slow, and totally unglamorous.”

From Mercedes Lackey: “I can’t think of anything more intimidating than a blank page. Especially the first blank page of a new project. Now, after twenty-mumble years of writing, I have a lot of things to get me past that…”

From Lemony Snicket: “Struggling with your novel? Paralyzed by the fear that it’s nowhere near good enough? Feeling caught in a trap of your own devising? You should probably give up.” Very funny letter follows!

So if you’re feeling sluggish and need some writing pep, check out these terrific pep talks. It just may be the jumpstart you need!

October 15, 2010

(First read “Regain the Passion” Part 1 and Part 2.)

How to Regain Lost Passion

If you were passionate about your writing in the past, but haven’t felt that way for a long time, there is a definite sadness mixed in with the lethargy. It feels like falling out of love, and in a very real sense, it is.

Can you stir up the fires of passion for your writing? Can you fall in love with writing and your work again, when all seems dry as dust and just as tasteless?

Yes!

Surprising Sources

Years ago, I struggled with this question, slowly becoming afraid that the boredom and apathy were permanent. I tried to muster some enthusiasm for my book-in-progress, whose deadline was fast approaching, but to no avail. It wasn’t the book manuscript itself. I knew it was finely plotted, with well placed clues and plenty of tension. The problem wasn’t in the manuscript—it was in me.

I found the answer to the problem one cold, snowy morning, and it came from the most unlikely source: my dog. We’d had freezing conditions for several days, cutting short my walks with Rhett (my black Lab.) I chained him outside for the day, then hurried back indoors. Playtime was cut short—it was just too cold and windy for me.

I paid little attention to Rhett during that week, although I’d loved him passionately since bringing him home from the pound ten months earlier. As the frigid week wore on, and the weather stayed miserable, I began to resent having a dog. I hated going out in the weather to his snug dog house, carrying water often because his dish froze over. I became apathetic about Rhett—he was getting to be more trouble than he was worth.

The Turn-Around

Then one day the sun came out, melted the snow, and temperatures soared. I put Rhett on his leash and took an hour-long walk, complete with Puppy Biscuit rewards for correct sitting, heeling and staying.

When we got home, I chained him outside near his food and water, then stayed to play. I petted, I stroked, I laughed, I cooed. (If you’ve never been a dog owner, you may need to gag here.) Anyone watching me that morning could see I had regained my passion for owning a dog.

Simple Formula

I’m sure you see the parallels. Regaining passion for your work-in-progress can be accomplished the same way:
A. Pay attention to your work. Think about it when you’re not at your desk. Mull over your theme. Ponder plot points. Have mental conversations with your characters.
B. Take care of your work. Feed it with quotes and good resource books. Do in-depth research and interviews. Immerse yourself in your subject matter.
C. Spend time with your work. Daily, if possible. If you want passion to ignite in anything (a relationship, your work, a hobby) you must spend consistent—and sufficient—time with it. We understand this principle in romantic relationships, but it’s just as true with your writing.

Don’t Settle

Part of the enjoyment of being a writer is the pure passion and pleasure of setting words on paper. Don’t settle for ho-hum, apathetic work. Instead take the necessary steps to revive your passion for writing. Do it as often as necessary to keep that spark of joy alive!

Right now–this weekend–put a plan in writing for how to regain the passion for your writing gift. If you have any ideas to share–your own or a book you’ve read–please share!

October 13, 2010

(Read Regain the Passion–Part 1 first.)

So…when does passion flourish? Under what conditions?

First, a writer’s passion is generally at its highest point when life is going well. (Big surprise!) When relationships are smooth, health is good, there’s enough money to pay the bills, the writer is following a healthy diet and getting sufficient sleep: these are the optimal conditions.

Whatever is draining your passion needs to be attended to, thoroughly and persistently. Unfortunately, this doesn’t always bring back the passion. It simply sets the stage, giving yourself the optimal environment for your resurrected passion to grow.

Habits of a Passionate Writer

How do you recognize passion for writing? Yes, it’s a feeling, but it’s so much more. Each writer will exhibit certain habits when she is being passionate about her writing. These habits are individual and personal–and present in your life whether you feel passion or not. Take a moment to make a list of habits that (to you) marks a writer as passionate.

To me personally, a passionate writer:

A. writes, almost daily.
B. listens, observes and thinks—alert to her surroundings.
C. carries a notebook everywhere to jot down impressions, descriptions and ideas.
D. journals—daily, if possible.
E. is focused—begins and continues her writing with energy.
F. reads other good children’s books, both current and classics.
G. keeps up with professional reading.
H. shares her enthusiasm at conferences and workshops (but doesn’t over-schedule such events so they don’t interfere with writing).
I. leads a more secluded life than the average person, in order to nurture and explore her talent.
J. is physically, mentally, emotionally, spiritually healthy.
K. is a 24-hour-a-day writer. Even when washing dishes or cutting grass, the passionate writer’s work is close at hand, on the edges of her mind. Everything she does is writing-related and life-related, so that her work and her life are inseparable.

Those are just my own personal ideas. Everyone is different. On Friday we’ll talk about practical ways to get the passion back. Before that, leave me a comment and tell me what a writer’s passion means to you.

October 11, 2010

Has this ever happened to you?

You’re half-way through a short story revision, or the rough draft of your novel, or the research for a biography—and without warning, you lose your desire for the project. The passion evaporates.

You feel lethargic, sad, and brain dead (or least oxygen deprived). You put your writing away for a few days, hoping it’s hormonal or a phase of the moon or post-holiday blues.

However, when you dig it out again, it’s even worse. It doesn’t grab you. You’re sure it won’t grab anyone else either! It’s boring. It goes back in the drawer.

Does Time Heal all Drafts?

Unfortunately, over the next few weeks, the situation worsens. Lethargy turns to apathy. Boredom turns to dislike. You face the fact that, for some reason, you’ve lost your burning desire to write this story—or maybe even write anything at all.

And without the passion, why bother to endure the long hours, the potential rejection of your work, and the low pay? Once it’s lost, how do you recapture your passion for writing?

What is Passion?

The question is summed up well by Hal Zina Bennett in Write from the Heart: “How do authors connect with that passion, bordering on obsession, that drives them to finish even the most ambitious writing projects in spite of seemingly insurmountable handicaps? What is the secret creative energy that the world’s best writers can apparently zap into action the moment their fingers touch their keyboards?”

Some say this passion is tied to how meaningful the writer feels his work is. He feels passion when what he is sharing is deeply meaningful. He may lose his passion when his writing turns into what will sell, what the markets dictate are current trends, and what pays the most money.

Eric Maisel in A Life in the Arts says, “The most salient difference between the regularly blocked artist and the regularly productive artist may not be the greater talent of the latter, but the fact that the productive artist possesses and retains his missionary zeal.”

Most writers would agree that a passion for writing involves enthusiasm, excitement, drive, and a deep love for your work. This passion makes writing a joyous occupation. It makes time fly while “real life” is shoved to the far comers of the mind. It’s being in the flow, enraptured in the present moment. For some, it’s being aware that they’re writers twenty-four hours a day.

Why Does Passion Dissipate?

Passion can spring a leak after too many rejection slips, too many critical comments from spouses or reviewers or critique partners, and too many crises to handle in your personal life.

Passion can also die when you repeat yourself in your work instead of exploring new avenues of writing.

Lack of passion can be caused by chronic fatigue. “Fatigue and the accompanying blockage also come with living the sort of marginal life that artists so often live,” says Eric Maisel. “The effort required to put food on the table, to deal with an illness without benefit of a hospital plan, to pay the rent, to get a toothache treated, to attend to the needs of a spouse or children, can tire out the most passionate and dedicated artist.”

(Parts 2 and 3 will discuss ways to get the passion back!)

July 12, 2010

Most of us start out writing because we feel a yearning, a call, a really strong desire to be a writer.

We have stories inside us burning to be told. We see the world in a slightly different way, and we want to share how we see people and events, all wrapped up in a spell-binding story.

Then What Happens?

Somewhere along the way, I’ve noticed, the calling often becomes a career mindset. It might happen with the first sale, or it might not happen until years into publication. With me, it happened after I’d had two or three novels published by Atheneum.  Status became more important than telling a good story.

Warning: this can happen to you too! Be aware of the signs and what can trigger it.

A Common Story

With me, it was financial need. It was the 80s during the farm crisis, and we were in danger of losing our Iowa farm. Suddenly sales were crucial. Advances had to be bigger and bigger. I began to worry more about whether I needed an agent than if my current book was better than the last one. Achieving excellence took a back seat to making money.

I wish I had seen it coming. Getting back to your calling-your love of storytelling-is a lot harder than maintaining it in the first place.

An Agent’s Perspective

Literary agent and author Donald Maass (in The Fire in Fiction) suggests that writers are either those who desire to be published, or those who desire to tell stories. They may start out the same, committed to making it as writer, to being the best storyteller he/she can be. He says that over time a writer’s real motivation will emerge.

Admittedly, I took the ICL course with a hopeful eye of staying home with my children and having a career too. But did that necessarily mean that I had to change from being a storyteller to a status seeker? No, I don’t think so. I think your calling and career can co-exist within you-but only if you guard your writer’s heart carefully.

What needs to stay in the forefront? A pursuit of excellence, for one thing. Keeping the writing fun for another.

Warning Signs

What are some signs that you’re moving from a storyteller to a status seeker? Maass gives some insightful signs:

• The majority of status seeker writers seek agents and publication years too soon.
• When rejected by an agent, the status seeker writer immediately offers the agent something else from his desk drawer. (Not something better-just something else.)
• Status seekers grow frustrated with rejections, thinking landing an agent is a matter of luck. Storytellers know that something is missing from their writing and they work on it.
• Status seekers ask how they can just make their stories good enough to sell. A storyteller is more concerned with making his story the very best it can be.
• With a first contract status seekers are very concerned with what they are getting for blurbs, advertising and promotion. Storytellers have a more realistic grasp of retail realities; they promote some, but then get to work on the next book.
• Status seekers go full time too soon, relying on advances for their living. Storytellers keep their day jobs for as long as it takes.

More details are given in his book to distinguish status seekers intent on building a career and storytellers who are called. You can also download (free) the author’s earlier book The Career Novelist by going to Maass’ website.

Do you think you can have a career–yet keep your “calling” as a storyteller the most important? How can a writer keep his priorities straight? What do you think it would take?

December 31, 2008

What’s preventing your success? Thoughts? Behavior? Low energy? Procrastination? Perfectionism? Overdoing? Counter-productivity? Negative self-talk? Disorganization? Time mismanagement? Unrealistic expectations? Defeat your self-defeating behaviors with this one-month mental boot-camp. (from Margie Lawson’s class on “Defeat Self-Defeating Behaviors: Allow Writing Productivity and Creativity to Soar.”

Jumpstart 2009 with a Mental Boost

Last week, I mentioned that I would be studying Margie Lawson‘s lecture packet on character emotions.  I also wanted to pass along information about a January on-line class she’s teaching that starts Friday, Jan. 2 and runs till Jan. 30.

Here’s the rundown on the class taken from her class description page. (You can register for her class at the bottom of that page.)

• Address the three fears that paralyze writers
• Analyze yourself: Strengths, Weaknesses, Opportunities, Threats
• Challenge your internal dialogue
• Redirect resistance and manage your moods
• Duct-tape your Inner Critic
• Protect your priorities
• Practice Conscious Competence
• Apply Margie’s DUH Plan

On-line Class vs. Teaching Packet

You can register for the on-line class for $30 or buy the teaching packet/lectures on this topic for $20. (For lecture packets, go to Margie’s website and click on “lecture packets” on the left-hand side.) You can study the lecture packet at your own speed and any month of the year, while the “self-defeating behaviors” class is only taught in January. I asked Margie what a writer would gain for paying that extra $10–I’m always making sure there is plenty of bang for my buck!

Her email answer included this important information: “Writers taking my Defeat Self-Defeating Behaviors (DSDB) course on-line can post their assignments, get feedback, get support, ask questions, get answers. Some class members are active on the class loop, others lurk and learn from what their classmates post. In DSDB, writers also work with a CHANGE COACH throughout the month-long on-line course.  Many of the Change Coach pairs continue working together after the course is over.  They keep those self-defeating dragons from making any sneak attacks. The camaraderie in the on-line class is amazing.  It’s a powerful bond. An amazing force.”

Slay the Dragons!

I can’t personally recommend the course because I haven’t taken it yet (although I plan to register today), but I’ve heard excellent comments about Margie’s other courses. I also know (from 25 years of teaching and from writing my Writer’s First Aid book) that these behaviors are what most often derail writers. As our lives change, the dragons change, but they’re always there, breathing fire down our necks.

I don’t know about you, but I’m ready to defeat mine–once and for all!

(If you also register for the class, let me know. It would be fun to share on the blog the things we’re learning.)