December 16, 2011

We’ve talked about the benefits of writing in flow, in that relaxed timeless state, and we’ve talked about the first key to developing this skill: have a reason to write.

Today let’s look at Key #2: thinking like a writer. These keys are based on Susan Perry’s Writing in Flow.

CHANGE MY THINKING?

We all think like writers already, or we wouldn’t be writing, correct? True enough, but in this series we’re concentrating on developing the ability to write in flow. Do writers who frequently write deeply and easily think differently?

Yes, it appears that they do. They have a certain set of attitudes, based on hundreds of Perry’s interviews. If we study these attitudes and beliefs and incorporate them into our own thinking, we should also be able to write in flow, be more productive, and enjoy the writing more.

WRITER ATTITUDES

This doesn’t mean you need a new personality. Quite the contrary. Be who you are, Perry says. “When you work with what comes naturally to you rather than struggling against it—whether it’s your preference for an uncluttered workspace or your tendency to do the opposite when those little voices in your head suggest that you ought to be answering those letters rather than writing a poem—you can apply your energy to what matters most to you.”

Another attitude, especially with writers in the early years, has to do with spending free time pursuing writing. They may be “troubled by the niggling feeling that taking too much time for their writing is slightly selfish because it’s like stealing time from their family,” Perry says. “If you identify with that second attitude, naturally you might find it more difficult to let go and focus fully when you do sit down to write.”

This attitude is easy to overcome after you are published and making money at your writing. Before that, I found that I got over the guilt when I took my writing time from my own free time activities—my sleep, TV, time with my friends. I gave up my own “extras” instead of taking it from the family, and then I didn’t feel guilty. It’s very hard to relax and write “in flow” when you’re feeling guilty!

RISK TAKING

Relaxing into flow—that essential letting go—can feel risky to certain personality types like mine. I don’t like risks, and I spend too much time probably trying to avoid risks. I would love it if I could make all my loved ones stop taking risks too! However, being afraid to take risks in your writing can stifle you as a writer.

“Taking risks, of whatever kind, can be especially challenging to those who can’t bear to give up control,” Perry says. “You can learn to open yourself to the unexpected, which is such a rich source of creative insight, by giving up control in small ways.” Remember, we’re talking about taking risks in your writing. You can certainly still control all the things in your environment that help you get into the flow state: clean desk, soft music, set daily routines, writing in certain locations, whatever you need.

For many writers, taking risks with your writing—in subject matter, in tone—can be scary. What will XXX think? (XXX = your editor, your mother, your spouse, the critics…) If you are focused on the fear of taking risks and what others will think, you can’t relax enough to enter the flow state.

One day I realized that in order to avoid that feeling, I only had to promise myself never to show the story to anyone if I didn’t want to. It never had to see the light of day, never had to offend anyone or hurt someone’s feelings. That decision helped me to write freely. And when I’d get to a place in the story that set off internal alarm bells (“You can’t say that!”), I said to myself (out loud), “No one ever needs to see this. I can say what I want. I can always change it later if I want to.” Writing this way, there is no risk involved whatsoever—and you can’t fail.

BE FULLY ABSORBED

Being fully absorbed in your work is very close to working in flow. And it’s a decision you can choose to make more often. Being fully absorbed means you “are deeply immersed in some activity as to be impervious to distractions…As a personality trait, absorption reflects the degree of your tendency to become deeply engaged in movies, nature, past events, fantasy or anything else.”

This type of person will have an easier time entering the flow state, which requires an ability to become deeply engaged and weed out distractions. A fully absorbed person can watch a good movie or read a good book and forget (temporarily) about negative distractions like his hunger, his headache, and her fight with her spouse—or lovely distractions like the phone, a beautiful day outside, or the cake in the kitchen.

BECOME CONFIDENT

You don’t start out writing with confidence or the ability to bounce back from rejection. You will need to find ways to master your fears, find confidence in your own writing voice, plus deal with isolation and self-doubt. All writers have to do this. I wrote many years with no confidence whatsoever. It can be done, but it’s rather torturous. I wasn’t writing in the enjoyable, timeless flow we’re talking about.

If you want help in this area, I highly recommend Cecil Murphey’s new book called Unleash the Writer Within: the Essential Writers’ Companion. Rather than working to overcome your weaknesses, the author shows you how to make friends with them and turn them into strengths. He deals with helping you find your real voice, like yourself, deal with the inner critic in an usual way, shatter writer’s block, and more. And he does all this in such a kind, straightforward and transparent way. Cec Murphey has millions of books in print and speaks from experience.

LONG-TERM PREPARATION FOR WRITING

If you have several attitudes mentioned above that need adjusting, you can’t just sit down and decide to think like a writer right now, so you can slip into flow. It takes time, depending on your mental attitudes at this time.

Developing the above attitudes will help you tolerate anxiety, be more open to new experiences, and learn to trust the writer you already are. If you feel like you need help in this area of “writerly attitudes that benefit you,” Unleash the Writer Within is my suggestion for you. I wish I’d had this book thirty years ago.

I’ve given you a lot to think about this week on the subject of writing in flow. Next week we’ll begin with Key #3: Loosen Up!

 

December 12, 2011

One of my writing goals for 2012 is learning how to recapture the “fun” of writing. I love having a writing career and being published, but sometimes I long for the days when it was simply enjoyable to write.

I remember the days of getting into my fiction simply because I loved the character and I wanted to tell her story. No deadline. No contract. Just a story to tell. I’d get immersed in my fictional world, lose all track of time. Then I’d hear a baby wake up crying, and be shocked that ninety minutes had passed!

Getting into the Flow

In order to recapture this “timeless state of writing,” I’ve been reading books like The Art of Relaxed Productivity e-book and Drive: the Surprising Truth about What Motivates Us and a few blogs. I found many references to “flow” and the “flow experience.” It reminded me of a book I read years ago incorporating the principles of “flow” (from Mihaly Csikszentmihalyi’s book called Flow: The Psychology of Optimal Experience.) That book is Writing in Flow by Susan K. Perry, Ph.D. I’m re-reading it now, and I think the topic is so important that I’ve decided to do a blog series on it.

We all want to be more productive as writers and make the best use of the little writing time we have. And we all want to ENJOY it more. We want to relax and lose ourselves in our writing. This is true if you’re a student working on your first lesson or a much published writer in an established career.

Defining Flow

What is writing in flow? According to Perry in Writing in Flow, “You know you’ve been in flow when time seems to have disappeared. When you’re in flow, you become so deeply immersed in your writing…that you forget yourself and your surroundings. You delight in continuing to write even if you get no reward for doing it…”

Apparently we writers have a lot more control over getting into this “flow state” than I used to believe. There are habits and rituals that can help you get into flow. We don’t have to wait for the muse to appear. I’ve been trying the author’s advice this month on how to write in flow more often, and it works for me. There are things to watch out for and avoid, too, so that you’re not jerked out of flow once you enter it.

One condition to be aware of resonated with me. Apparently I’m not alone in needing to get through an entire draft or two before showing a manuscript to anyone. “The optimal conditions for creativity (and thus for flow entry) include a condition of psychological safety from external evaluation,” Perry says. “Tell yourself that no one has to see this, that you can decide afterwards whether to show it to anyone. Make a habit of putting your finished work away for a while before looking at it again.”

Is It Important?

Another condition for getting into flow has to do with value. “One of the most powerful combinations of motivators [for getting into flow] is the sheer love of writing and the belief that it matters.” I know that most writers–including me–struggle with this at times. We ask ourselves, “Does what I want to write really matter?”

The answer to that is a personal one. It will be based on your belief system (what you believe is important in life), and only you can answer that. Some examples… If your belief system says that writing for children is important and they need good role models for solving problems in our complex world, then you’ll have trouble feeling like your writing matters if you take an assignment that violates that belief. If you believe that kids really need to stretch their minds, your nonfiction pieces that do that will reassure you that your writing matters. If you believe the world is crying out for humor and good entertainment, then writing this type of story or book will be something that matters to you.

What Motivates You?

Do you write because something inside you drives you to write? Or is your writing these days motivated by external rewards only (money, a prize, fame)?

More from Susan Perry: “Researchers have found again and again that work feels like play when you’re motivated intrinsically, that an intense involvement in an activity for its own sake, with little or no thought of future rewards, leads to positive feelings, persistence, creativity and flow. It’s also been found, however, that when extrinsic rewards or motivators, such as competition or the pressure of being evaluated, are thrown into the mix, the desire to do the thing for its own sake may be undermined.”

What does this have to do with flow? When you are writing ONLY as a means to an end (to pay the rent, to meet a deadline obligation, to please someone else) you’re typically less intensely absorbed by and engaged in the task itself. This reduces the likelihood of being able to write in the enjoyable flow state.

Steps to Finding Flow

In Writing in Flow, Perry talks about the “five master keys to flow entry in writing,” and I’d like to talk about these five keys in the next five blog posts. They will be overviews only and won’t replace reading her excellent book. However, I hope to share with you how you can have considerably more control over your writing frame of mind than you may now believe.

I’m always looking for ways to be more productive, but also to ENJOY the writing more. These keys to writing in flow have helped me, and I hope they will also help you.

The five master keys to writing in flow that we’ll discuss are:

1. Have a reason to write.
2. Think like a writer. 
3. Loosen up.
4. Focus in.
5. Balance Among Opposites

Her book also includes a lengthy section on “making flow happen,” which includes specific techniques (many of them!) for “luring” flow into your writing life. There is also a section on how to “flow past blocks.” I will highlight a couple of her ideas, but I don’t want to plagiarize her excellent book. The upcoming blog posts will give you enough information to know if you want to buy the book yourself. (Good used books available on Amazon!)

See also Susan Perry’s blog for Psychology Today called “Creating in Flow.”

June 13, 2011

If you take yourself seriously, you will be taken seriously.

A common complaint among new writers is that friends and family members don’t take them–or their writing–seriously.

I tell them–truthfully–that the main thing they need to do is convince themselves that they are serious about their writing. Others will pick up on that attitude and start giving them the respect they crave.

Do You Need An Attitude Fix?

If you’re a self-employed, freelance writer, you’re in business. You’re creative–true. But you’re still in business if you want to make income from your writing. And often it is poor business attitudes that keep others from taking you seriously. Do an attitude check with the list below.

Are you harboring these unhelpful attitudes?

1) The “I’ll work when I please” attitude–Most of us are drawn to self-employed writing because we like the idea of being our own bosses. We can work when (and if) we so choose. But if you take this attitude to mean you can meet deadlines if nothing else comes up, you’ll never be taken seriously. It’s one thing to let an editor know you won’t be able to meet a deadline because you’re in the hospital and both arms are in traction. It’s quite another to miss a deadline because you’re hand crafting mini pinatas for your daughter’s birthday party.

2) The “I don’t have the money to be professional” attitude–You have to invest money to make money, say the experts. For example, if you’re advertising your resume-writing business with a brochure, get a good printer or have them professionally done. During the early years, I never had a publisher willing to foot the bill for flyers or bookmarks or other advertising. It came out of my pocket. [This is where I differ from the experts though. I didn't put anything on a credit card. I have a horrible fear of debt.] Since the family needed my book advances to live on, I would do “extras” to get whatever money I needed to run my office: an extra speech, an extra workshop, an extra critique. And when the “extra” money ran out, I stopped. Perhaps if I had been willing to put things on credit or had more expendable income, I could have increased book sales faster. I don’t know. But I do think you have to spend some  money to get established, even if it’s just for paper and ink. [That was me--I already had my husband's old college typewriter.]

3) The “I can’t charge more” attitude–Sad, but true. People tend to value what they pay for. Dogs that people pay big bucks for are treated so much better than free dogs from the pound. While you may choose to write or speak for free very early in your career, don’t let that period last long. [The only free stuff I used to do were talks at my children's schools as my parental/community contribution. I never wrote for free that I can remember. Even now, if I critique for free, it's because I'm trading with a writer friend who is giving me a free critique also.]

Early in my career I complained to another (more experienced) writer that I didn’t appreciate some of the disrespectful treatment I got at certain schools. Her reply? “Triple your speaking fee. You work too cheap. They’ll value you more.” With much fear and trembling, I did it. She was right too! I got more speaking invitations after that! When schools said they couldn’t afford me, I sympathized about hard times and sent back a list of suggestions about how they might raise the money. [I kept a list of money-making activities other schools had used--bake sales, t-shirt sales, "slave" auctions, sharing the fee with another school, grant writing--and then sent the ideas to people who wanted a freebie or a cheapie.] I tried to be helpful–short of doing a free or cheap school visit. You’ll be treated more professionally if people have to invest in order to enjoy your services.

4) The “I do a lot of things” attitude–When starting out, it’s tempting to dabble in a lot of things, hoping at least one of them will work out. You might write greeting card verse, design websites for other writers, and run a resume service. Or you might want to be a novelist, but you split your time among writing guest blog posts, creating crossword puzzles, entering writing contests, and working on your novel. To be taken seriously, you’ll probably need to decide what you want to do most and then give it 100% of your time and energy (even if 100% of your available time is just one hour per day.)

Be Professional

The next time you get the feeling that people aren’t taking your writing seriously, do an attitude check on yourself. Are you taking yourself seriously?

Start there, and fix that–and I guarantee that others will take their cue from you.

April 8, 2011

We don’t like to talk about quitting or giving up on our dreams. But let’s be honest. Will every wannabe writer eventually land big contracts,  snag a well-known NY agent, and be sent on ten-city book tours? No.

Maybe your dreams are more modest, but you’ve worked at breaking into publishing for years. Should you continue the struggle? For how long? How do you know when to quit?

Asking the Wrong Question

I came across an excellent discussion from a blog post that is several years old, but the advice is timeless. Called “When to Quit,” it’s a lengthy article by Scott Young on this subject. I hope you’ll read it to the end.

One factor the article said to consider was how you feel on a day-to-day basis as you pursue your dream. How is the process affecting your life, your character, your growth? “So if you are pursuing your dream and you don’t think you are going to make it, the question of whether or not to quit doesn’t depend on your chance of success. The real question is whether pursuing this dream is causing you to grow. Does this path fill you with passion and enthusiasm? Do you feel alive?”

You may not agree with all his views, but I guarantee that the article will make you think–even if you have no intention of quitting. It might lead you to make a course correction however. And it will make you evaluate why you’re pursuing your particular dream–and that’s always a good thing!

If you have a minute, give me your reactions to the ideas in his article.

January 5, 2011

I’ve been reading a book on how fear affects writing (and art-making of all kinds). Fear is what holds many (even most) of us back from being the writers we dream of being–and probably could be.

Art & Fear suggests that these fears fall into two main categories: (1) fears about yourself, and (2) fears of how others will receive your work.

The fears about yourself prevent you from doing your best work. Fears about your reception by others prevent you from doing your own work.

The Great Pretender  (or fears about self)

When you doubt your own abilities, you feel like a fake, an impostor. You feel like your best work was an accident, a happy fluke that you can’t seem to duplicate. It feels as if you’re going through the motions of being a writer–typing, reading how-to books and magazines, attending conferences–but you suspect that you don’t really know what you’re doing. (And we wrongly assume that all those other writers DO know what they’re doing.)

You also suspect you don’t have any real talent. After all, talented people perform their art with ease. Writers might start out that way, but inevitably you reach a point (if you’re truly working) where it definitely is NOT easy! You take that as a sign that you don’t really have enough talent to be a writer after all. (Truth: talent is a gift, and most people have enough talent. Probably 95% of success is what you do with it–and for writers, that means showing up at the page consistently.)

These fears WILL keep you from doing your best work.

Whose Priorities Count? (or fears about others)

The best writing is not produced by committee. It’s produced when a writer who is passionate about an idea is left alone to create. At these times we aren’t even thinking about others.

Problems arise when we confuse others’ priorities with our own. In our heads, we hear these critical voices. (Some come from our pasts, some from current writing friends, some from what we read in magazines and publishing journals.) Since published writers depend on reviews for sales, what others think has to matter at some point. However, when others’ opinions–how they think we should write–influences you too much and too soon in the process, you stop writing what you truly love and start writing what “they” have said is better or more salable.

Wanting to be understood is a basic need, and writers want others to understand their stories. They don’t want to be booed off the stage for being too different. (We all learned at an early age the dangers of being considered different or weird.) So the inner war continues with writers: can I find the courage to be true to what I need to write, or will I buckle to others’ opinions so I have a better chance of being received well? Buckling to fears of being misunderstood makes you dependent on your readers or audience.

These fears WILL keep you from doing your own work.

Ponder This…

This coming week, when you’re out scooping snow or taking a walk, give these two questions some thought:

What fears do you have about yourself that prevent you from doing your BEST work?

What fears about your reception by others prevents you from doing your OWN work?

And if you’re REALLY brave, leave a comment about one (or both). It will give me ideas for future topics!

December 13, 2010

[Writing goes in cycles. I am tempted to quit every few years! This weekend when I was particularly frustrated with a revision that isn't going well, I went back through my blog and found this. It helped me--and maybe it's worth repeating for you too. This is from several years ago...]

What’s the Use?

Yesterday I dragged myself to the computer, bone weary, body aching, and tired of my writing project. The last few weeks I’d increased my writing hours a lot to meet my (self-imposed) deadline.

I imagine part of it was not feeling well, but yesterday I looked at the almost complete project and thought, What’s the use? This actually stinks. I bet I’ve wasted the last six months on this.

I couldn’t make myself get to work. So I did what most good writers do when they want to look like they’re working, but they’re not: I checked email.

Rescuing My Writing Day

And thanks to Suzanne Lieurance from “The Working Writer’s Coach” and her “Morning Nudge,” my writing day was rescued. This is what she sent yesterday that got me back to work.

The life of a freelance writer can be very frustrating at times. There are so many things to do and not enough time to do them all. Or – the writing seems to be going nowhere and you just can’t make yourself sit down and write. You work and work, seemingly to no avail.

So you begin to wonder – What’s the point? Am I really getting anywhere? But know this. If you’re starting to feel frustrated because you think you’ve been working WAY too hard for the few results all this work has produced, you’re on the verge (even though it may feel more like you’re “on the edge”). You’re on the verge of creating some powerful momentum.

Stick with it…  So many people give up, just when they are on the verge of great success. Just when they start to feel really frustrated. Just when they feel nothing is going the way they want it to. If that’s how you’re feeling right now – celebrate! You’re on the verge of wonderful, great things! You’re on the verge of creating that powerful momentum that will move your writing career ahead to an entirely NEW and exciting level!

Today, relax and let go of that frustration, knowing you’re on the verge of great things. Try it!

I urge you to sign up today for Suzanne’s daily kick in the writing pants, “The Morning Nudge.” You’ll be glad you did!

November 24, 2010

Hope you read “Who’s in Charge?” (Part 1) first!

On Monday I talked about taking charge of your negative thought because where the mind goes, the man (or woman) follows! And how will that help?

Attitudes

Changing your thoughts will change your attitudes and emotional feelings about writing. Instead of postponing happiness until you get published, for example, choose to be content with your writing today.

Choose to enjoy the act of putting words down on paper to capture an image. Choose to enjoy delving into your memories for a kernel of a story idea. Choose to enjoy the process of reading back issues of magazines you want to submit to. Choose to enjoy reading a book on plot or dialogue or characterization for tips you can apply to your stories.

Instead of feeling pressured to succeed quickly, choose to be patient with your learning curve. Choose to be happy about each small, steady step forward.

Zoom Out!

Look at the larger picture, how each writing day is another small building block laying the foundation of your career. Stay present in the present! Pace yourself with the determined attitude of the tortoise instead of the sprinter attitude of the hare.

You also need to choose an attitude of commitment. Commit to your goals and deadlines, to continued improvement in your writing, and to dealing with negative feelings as they come up. Commitment is more than “I wish” or “I’d like.” Commitment is “I will.” There is a huge difference! (Like the gap between a man saying, “Gee, I’d like to marry you” and “Will you marry me–here’s the ring–let’s set a date!”)

Move from the wishy-washy attitude of “I’d like to be a writer” to the commitment level of “I’ll do whatever it takes for as long as it takes to be a successful writer.” That one change in attitude can be what determines if you make it as a writer.

(Stay tuned for Part 3 on Friday.)

September 29, 2010

I want to check in with you writers who are doing the “Grab 15″ from Habit #1 and the 100-Day Challenge. How are you coming with “chunking down” your goals into tiny slices you can accomplish in 20-minute segments of time? (Leave an update in the comments.)

It reminded me of a blog post from two years ago, and I’m going to run it below because it goes along with our daily writing challenge.

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I’m a sucker for daily reminders from various websites. I get writing reminders, fitness reminders, and blog notices. Today in a couple of fitness emails I realized the solution to a writing problem I have this morning.

First, there was an email from SparkPeople on getting fit called “Success is an Attitude.” A woman wrote: “I plan to lose 50 pounds over a year. I am not setting myself up for any big disappointments by trying to lose too much too fast. Every day is a new day. Every day can be a successful day.” Smart lady, I thought.

Then I read an article from Runner’s World about “The Ten Rules of Weight Loss.” The first rule said, “To lose 10 pounds of body fat a year, you need to eat 100 calories less per day. Cutting too many calories from your daily intake will sap your energy level and increase your hunger, making you more susceptible to splurging on high-calorie foods.”

Parallels with Writing

Ah-ha! Do you see a parallel with writing? I sure do. My natural tendency is to get behind schedule, grit my teeth, buckle down, and plan to write 5,000 words every day for two weeks to finish a project. Who am I kidding?

I can maybe keep up that grueling schedule for several days, but soon I’m depleted, with back and head aching, and I want to eat everything in sight and vege out through a couple of chick flicks. Then it takes me a week to make myself write again, thus averaging out my writing to something like 1000 words per day (or less).

Why not just write 500 easy words every single day–or several times a day in 30-minute slices? That would be a breeze! They’d add up, I wouldn’t get that familiar neck and hip pain from sitting too long—and I would meet the deadlines.

Chunk It Down!

I need to take the attitude of the lady who planned to lose fifty pounds by losing one pound per week. A little bit done every day. What was it that she said?

That way every day is a new day. Every day can be a successful day. What a great description of the perfect writing life!

August 20, 2010

If a friend from your critique group told you ”I just can’t get started on my story today,” what would you say? “Get moving, you lazy do-nothing wannabe!” I hope not!

If your writing friend bemoans receiving another rejection, do you say, “Well, what did you expect? Your novel stinks!”?

I would hope not. Most of us are better friends than that…except to ourselves.

Your Own Best Friend

Listen to how you talk to yourself. When you procrastinate, do you beat yourself up? Do you call yourself names? And to paraphrase Dr. Phil, “How’s that working for you?” Does it spur you on to do your best writing–or to give up and eat a pint of ice cream?

When you receive a rejection, do you downgrade your writing? Do you tell yourself that publishing is just a pipe dream, that it’s for others but not for you?

Do you say things to yourself that you would NEVER say to a writer friend?

Time to STOP!

Learn to tell yourself the truth–but with kindness. Be a mirror that reflects back understanding. If you got off course, gently encourage yourself back on the writing path you want to travel.

Not:

• You’re so lazy that you’ll never get anything written and published.
• No editor or agent will ever read your novel, much less publish it!
• You only have friends on Facebook because they don’t really know you.

Say this instead:

• You may have trouble getting started because you’re afraid of something. Try journaling to get to the bottom of it.
• You may (or may not) find an editor who loves your novel–but you’ll never know if you don’t keep sending it out. Let’s try one more time.
• Many people in your real life know you and love you. Make a list. Be thankful for each person on the list.

Be That Good Friend

The next time you stall or hit a rough spot in your work, talk to yourself like a true friend would. Be kind, be understanding, give some praise, and encourage yourself to try again.

You can be your own best friend.

August 2, 2010

You meet an editor or agent in an elevator or the banquet line. They turn to you and ask, “What’s your book about? Why are you the person to write it?”

Which One Is You?

Do you give a confident 30-second talk summarizing your book’s main points and why you’re the only one who could do the project justice?

OR

Do you say, “You know, that’s a good question. I’m a lousy writer! Who do I think I am anyway, masquerading as a writer? It’s a dumb book idea.”

Of course you don’t spout that second example!

And yet, many writers do that very thing to themselves every day. That evil little voice in your head or over your shoulder whispers, “That’s a stupid idea” or “That’s been done before–and a lot better” or “You’re never going to finish that story.” And like agreeable little twits, we nod and tell ourselves, “This is a dumb idea. I’m never going to finish this. This concept was done last year–and a whole lot better!”

Then, discouraged for another day, we head for the ice cream.

Pitch It to Yourself!

The name “elevator pitch” means a short speech you have ready for that opportune moment when you can market yourself or your book idea to someone that might buy it. Every day–even many times a day–you need to pitch your writing project and yourself TO YOURSELF.

How are you going to sell your story idea to yourself? What elevator pitch can you give to yourself when you’re surprised, not by an agent or editor in the elevator, but by your own nagging questions?

• When “voice in the head” says, “This is just too hard!”
• You say, “I have done many hard things in my life. I can do one more difficult thing.”
•  
• When “voice in the head” says, “There’s too much going on in your life for you to write now”
• You say, “Writing is at the top of my To-Do list because it’s important!”
•  
• When “voice in the head” says, “Editors and agents scare me!”
• You say, “Even when I feel anxious, I can act like a professional.”
•  
• When “voice in the head” says, “I can’t write because I can’t tolerate rejections”
• You say, “NOT writing is the only rejection that matters. It’s a rejection of my dreams. I can write a little each day.”

Write Your Own Now

Take a few moments today and write at least three elevator pitches of your own, counter-acting the voice in your head. Write the pitches on cards and tape them to your computer. When the “voice” badgers you the next time, read one of your cards OUT LOUD. Several times.

And if you’re feeling very brave, add an elevator pitch in the comments section (up to three pitches) that you can begin pitching to yourself today!

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