June 30, 2010

Is the advice “write what you know” valid? Yes, definitely. And no, not always.

It’s confusing advice!

Practical Knowledge

“Write what you know” makes sense when you’re ignorant in some area. For example, I know nothing about vampires, have never read a vampire book, can’t understand the whole vampire movie thing, and can’t for the life of me figure out why a blood-sucking boyfriend would be romantic. It’s just me.

This is the point though: I don’t know about vampires, and I have no business sitting down today to write a vampire novel. It would be so full of ridiculous ideas and mistakes that it would be laughable. I don’t care to look that foolish.

Use Yourself

On the other hand, says Ursula K. Le Guin in “Make your fiction truthful” (The Writer, July, 2010), “Write what you know doesn’t mean you have to know a lot. It just tells you to take what you have, take who you are, and use it. Don’t try to use secondhand feeling: use yourself.” So, does ”write what you know” mean “write exclusively about your personal experiences”?

No, I don’t think so. What you “know” can come from your personal experience–that’s true. But it also comes from other people’s experiences, from books you’ve read and movies that moved you, from research and travel–all blended together when you use your imagination.

The Best of Both Worlds

I believe in “write what you know,” but I’ve also had eleven mysteries published. I will swear to you that I’ve never stolen, kidnapped, set a place on fire, or blackmailed anyone, but I’ve written about it.

However, I made aspects of those stories familiar too. I set those mysteries in the midwest, where I lived all my life. Five are set in real places I’d visited many times. I used many people I knew for my characters. I developed themes that were coming true in my own life or my children’s lives. The character growth and change was real–and it was often me.

Get to Know Yourself

Le Guin says it this way: “If you take it in its deepest meaning, ‘write about what you know’ means write from your heart, from your own real being, your own thoughts and emotions…If you don’t know who you are and what you know, if you haven’t worked to find out what you yourself truly feel and think, then your work will probably be imitation work, borrowed from other writers.” (I hope you’ll get a copy of The Writer and read her entire article.)

You may not think you know much or have had enough interesting experiences, but you’d be wrong. If you have my Writer’s First Aid book, read the chapter on “Getting to Know You…” Take the lengthy survey about your life and keep the information in a writer’s notebook.

The answers to that survey will unearth enough information about YOU to last you a writer’s lifetime.

June 28, 2010

According to Walking on Alligators: A Book of Meditations for Writers by Susan Shaughnessy, “Depression is surprisingly frequent in writers… ”

I think it shows up on Mondays more than any other day. It could be from a downward turn in your health, bad news about a child, a day job issue, a fight with your spouse, or your hormones have gone haywire. Or you could just be really tired.

Whatever the cause, the “blues” can derail your writing for the day–or week–if you let it.

Dealing with Depression

I used to spend so much time “dealing” with depression. Getting to the bottom of it, finding out what the experts said about my issue, praying for help, figuring out a “plan” to deal with the problem, and…not writing.

All that dealing took away from my writing, but I assumed there was no choice. After all, you can’t write when you’re depressed, can you? Won’t everything you write be horrible and dark and depressing?

Surprisingly not.

Grit and Determination?

Shaughnessy continues: “Writing goes on in spite of depression. Depression can be paralyzing; but if you can, by sheer discipline, fight your way to your regular writing place, you may be amazed by the quality of what you produce… Writing won’t banish depression. But depression doesn’t have to banish writing.”

Actually, for me, the writing often does banish depression–at least for the time you’re writing. But the important truth there is this: depression doesn’t have to banish writing.

Just Try It

So if you’re having a “blue Monday” today, get into your favorite writing position, and write anyway. Don’t waste the day. Put your problems on hold for an hour or two, and just write. You will probably be astounded in a few days at the fine quality of what you produced, even when depressed.

One caution: Don’t edit (especially, don’t discard) while depressed. Write instead. You’re not a good judge of your work when blue. Wait to edit until the sun comes out again.