February 26, 2010

Some days I feel about as creative as a cement block. Most of us know, however, that we can’t wait to feel creative before we write.

Writers who wait for inspiration before they decide to write are generally known as hobbyists. Working writers-those actively writing and growing in their craft-must write whether the muse is “in” or not.

“Which means, essentially,” James Scott Bell says, “you have to become a walking idea factory.” And he really does mean walking. He said he gets a lot of his ideas for his current work-in-progress when walking. I know other writers who’ve said the same thing.

Dragging My Heels

I love to walk-but I have usually balked at this kind of “work while you walk” advice. After working at my desk, I want a break. And mulling over my novel while taking a walk doesn’t do a darned thing to refresh me. My brain is too tired. When I walk, I want to listen to a book on tape, something Jane Austen-y that I know will feed my soul. Thinking about my own novel just feels like more work to me.

But…that’s not what Bell recommends! In his The Art of War for Writers, he says that after a writing session, “I try to take an hour walk every day and listen to an audio book.” Inevitably his muse or imagination (what he calls “the boys in the basement”) sends up ideas for his work-in-progress while he’s listening to his audio book for relaxation. When that happens, he stops, makes a note in the pocket notebook he carries, then goes back to his audio book and walks some more.

He calls this his system for “being creative without thinking about it. That way you can be ‘working’ on your idea even when you’re not working on it.”

Then What?

For several days I tried Bell’s system. I hadn’t expected it to work-but it did! While walking and listening to Pride and Prejudice on my MP3 player, my brain released a good number of ideas-things that I could later develop (a secondary character’s flaw, a plot twist that would also show the book’s theme, a better setting for the climax scene). I have to admit that I was very surprised how well this worked.

If you want to try it, here are Bell’s steps for becoming a walking idea factory.

• Focus fully on your book or story idea during your writing time.
• Take a walk and relax, then capture the ideas that pop up during your walk.
• Back home, immediately put your recorded bits in a computer file. Expand on them, brainstorm the ideas, follow rabbit trails. Do that with each idea that popped up on your walk.
• Let the ideas cool for a day and then come back to them for assessment.
• Decide which ideas to keep and use in your current work. Set the others aside for another project.

Bell says if you get used to thinking this way, your creativity will explode!

February 24, 2010

As mentioned a few weeks ago, I’ve been reading Andy Stanley’s The Principle of the Path which states that it’s direction-not intention-that determines our destination.

When trying to get from where we are as writers to where we’d like to be, we will need to follow a path to that publishing destination. We are travelers, and we look for maps to guide us. We read books and articles on how to get started, get published, and market ourselves.

This guidance becomes our road map, our GPS system for success. Despite hundreds of maps (i.e. books of advice), few writers are as successfully published as they’d like to be.

What’s The Problem?

Is it because we can’t read a map? Usually not. Is it because we don’t really know where we want to end up? Usually not. Then what’s missing?

The starting point.

No matter what type of map you use (Google map, MapQuest, GPS or the old-fashioned paper kind), you first have to know where you are right now. Knowing your destination won’t help one iota if you don’t know your present location.

And why don’t we writers know where we are at this moment? Are we lost? Not really. More like deluded. We deceive ourselves about our true locations at the present time. And that’s one big reason why our “maps” don’t work and don’t get us to our destinations.

Wearing Blinders

Not long ago, I asked a teacher-writer about this. (He’s taught writing at the university level for twenty years.) His classes focus on both writing and publishing your writing. He said one of the biggest problems he ran into was that his students who hoped to publish had no grasp of their current skill level. Most of them believed they were better writers than they were.

They’d been told all through high school that their writing was fabulous, but now they were competing with the cream of the cream in college. They did surface revisions, unwilling to start over or dig deeper. They were used to posting to their blogs (instant gratification in publishing.) After only one rejection by a print publisher, they often hurried to self-publish instead. Many of them felt ready for Carnegie Hall, but they’d only mastered Chopsticks.

Delusions

Whatever their reasons-whatever our reasons-many writers do not have a clear grasp of where they are right now. They see the golden crowns of success in the future: bestseller lists, big royalty checks, crowded book signings. They’re studying several maps: MFA programs, online programs, quitting their day jobs to write for a year. But they’re deceiving themselves about their starting point.

Some of us need basic courses in grammar and punctuation more than an MFA program. Some of us need to keep our day jobs while writing furiously every lunch hour and all day Saturday for a year. Some of us need to study other successful writers’ published books more than we need to meet an agent at the next expensive writer’s conference.

If you want to reach your writing dreams, you do need to know your hoped-for destination. If you don’t want to waste years and years re-inventing the wheel, you’ll need to find out how other writers were successful and check out their “maps.” But if you don’t know your starting point-if you’re not willing to be very honest with yourself about where you are today-those maps and goals won’t do you any good.

Where Am I Today?

So take some time this week and, with pen and paper, ask yourself the tough questions. Where are you in the skill areas you need? Where are you an expert, but where are you still a beginner? What parts of the writing life stymie you?  How much time per day/week do you really have-or can you carve out-for a writing life? How’s your health, your stamina?

Answers to these questions-honest answers instead of “I wish” answers-are what will be valuable to you. It will be your true starting point. Knowing this will help you choose a map that will actually take you from where you are and point you to your destination: your writing dreams.

February 22, 2010

During the past year I’ve done more novel critiques than usual. Some have been so-so, some were very good, and a few have already sold.

What made the difference between the “very good” stories and the manuscripts that sold? In my opinion, it was the overall strength of the novels.

Often the “very good” book manuscript was strong except for just one area. Maybe there was no felt emotional connection with the main character, or all the dialogue voices sounded like the author’s voice. Perhaps the one weak area was lack of suspense despite beautiful prose, or poorly researched historical facts, or terrible mechanics.

Oops!

Often when I mentioned the trouble I saw, the writer emailed me back and said, “I knew that was a problem. I guess I was hoping you wouldn’t notice.” It’s better to listen to your gut feeling and assume if you know there’s a problem, others will see it too.

“Hoping an editor won’t notice” isn’t a solid marketing plan. Even if they had the time (which they don’t), editors aren’t in the business of fixing the story for you or teaching you how to write. That’s up to you-but what can you do?

Back to School

“Unless you’re working with an expert instructor, you need to be designing your own writing improvement program,” says James Scott Bell in The Art of War for Writers. “Work out a systematic plan to overcome your weak areas by setting up self-study programs.”

We all hope our novel’s strengths will over-ride the weaknesses, but you want your novel to be healthy overall, not just mostly healthy with one or two weak areas. If your physique were great except for flabby underarms, you would target that flapping fat with exercises and a program designed specifically for upper arms. In the same way, if your novel is weak in one or two areas, you need a specific exercise program to strengthen that area.

Make a Plan

For example, if your problem is dialogue that all sounds like the same flat voice, you might need a self-study program called “Creating Distinctive Voices.” Your study question might be: How can I create distinctive voices for each character, so distinctive that I can tell who’s speaking without any identification?

Here’s one plan, and you can adapt it for any area you want to improve:

1. Make a list of novels where you remember the characters coming through in their dialogue as distinctive. (accent, regional speech, slang, choppy vs. languid speech, hip vs. old-fashioned, formal vs. grammatically incorrect, straightforward vs. flowery speech, etc.)
2. Choose several of these novels and re-read them specifically for the dialogue. Keep your study question in mind as you read. Underline passages that do the job and then write a few scenes where you try to accomplish the same thing through dialogue. Don’t copy their words, but try to copy the technique used.
3. Buy some books on the particular writing problem you have and study them. There are good writing books available on every area of craft you can imagine. You don’t have to re-invent the wheel, nor do you have to submit stories that are weak in one or two areas.

In today’s economy, your stories need to be the cream that rises to the top. Ensuring that your novel is strong in every area is one way to do that.

February 19, 2010

Some writers are doing more than just surviving in the current economy. They are thriving! How are they managing this?

“The most important thing I did to thrive in this recession is that I managed my emotions, attention, and attitude at all times. I focused on what I can do, not what I can’t do,” says one much published author. “I  swam upstream, ignoring the people in retreat all around me.”

Uncertain Times

“Call it what you will,” says Mark Haverstock in “Freelancing in Uncertain Times,” “a recession, a downward correction, or a pause in recovery. The national economic downturn has taken its toll on everyone, including freelancers.” (Writer’s Guide to 2010) That’s the bad news. However, the article is full of good news too–and great tips by authors who are thriving despite the economic realties.

In Mark’s “Marketing 101″ section, there are five ways you can market yourself that require time but very little or no money. And keep your manuscripts–many of them–in constant circulation. You can’t sell what isn’t out there. One author pitched a dozen different book ideas with a dozen proposals, and sold eight of them! How?

She said she learned the formats of “book proposals, pitch letters, feature stories, opinion pieces, etc. There are formulas for all of them and once you’ve got the formula mastered, your work is much easier.”

Web Work

Mark has much to say about writing for online publications too. He has lists of resources helping you decide how much to charge, a good number of  websites appealing to “starving writers” that you want to avoid, and five bona fide, legitimate websites that list job leads for writers that pay decent money.

“Freelancing in Uncertain Times” is only one of seven marketing articles in the book, and there are 21 more information-packed articles under Style, Submissions & Career, and Ideas and Research.

Do More, Offer More

With many magazines and newspapers having online web editions–or moving to the Internet altogether–you can rise above other freelancers if you offer photos and videos to accompany your articles. While you need professional ability to shoot for print magazines, it’s not as important with the web.

With digital cameras and phones that also make videos, many writers already have this ability. And if they can supply on-site visuals like this to accompany web content, that saves an editor the expense of sending a photographer on location.

Swim Upstream

Instead of being one of the naysayers and gloom-and-doomers, dig in and determine to overcome the obstacles you’re facing in this recession. Some writers gave up long ago. Others decided to be one of the writers who survived–and even thrived–despite the economy.

Which one are you? Can you leave one tip for others on how you’re staying afloat during tough times?

February 17, 2010

Rejection is part of the writing life. Writers have always struggled not to take rejection personally. Unless you’re super human, it deals a blow to one’s self-esteem.

“To be a writer is to be rejected. I’m not kidding,” says Rachel Ballon, Ph.D., author of The Writer’s Portable Therapist. “Those writers who stop writing the first time they’re rejected can’t call themselves writers because rejection is part and parcel of the writing game. It isn’t what happens to you IF you’re rejected, it’s what you do or don’t do WHEN you’re rejected.”

You Can Recover

I get concerned when my writer friends and students get so beaten down by a rejection. (And with our struggling economy lately, rejections are happening more frequently.) Rejections do hurt, and the disappointment can be huge. All the “don’t take it personally” lectures don’t help much then. You need more, especially in the initial stages when the rejection is new and raw.

“Expect rejection and disappointments with the knowledge that you’ll recover from them,” says Ballon. “Be just as prepared for rejection as you’re prepared for an earthquake in California or a hurricane in Florida.”

Plan Ahead

I never thought of that before: prepare for rejection. It makes sense though!

Most of my family members live in Florida now, and when a tropical storm is building to hurricane status, they go into motion like a well oiled machine. Buy batteries and food staples. Nail plywood over windows. Make sure generator works. Stock up on drinkable water. They don’t just sit back and hope the hurricane veers off and misses them. They know that the likelihood of being hit by a hurricane is low, but definitely possible. Being prepared has saved their lives and property more than once. And their plans for recovery and clean-up go into effect as soon as the storm passes.

The likelihood of writers being rejected is about 100%–much worse odds than destruction from an earthquake or hurricane. But how many of us have a plan for recovering from that particular professional “disaster”? Not many, I’m guessing. But we should have. We know it’s coming from time to time. And I wonder if we wouldn’t respond better if we planned for it.

Strategy

How do you plan for the day-perhaps after months of hopeful waiting or interested nibbles-when your story or novel or proposal is rejected? How can you prepare for it? Well, what makes you feel better when you’ve been rejected by someone in your personal life?

• A hot bath and a good novel?
• A phone call to your best friend?
• A candy bar or Starbucks coffee?
• Hanging out with people who do love you?
• Going for a hard sweaty run or bike ride?
• Journaling?
• Curling up with a “feel good” movie or chick flick?

Chances are, those same things will help you through a manuscript rejection. They can be the solace for your bruised soul.

Plan Ahead-Work Your Plan

I think I’m going to make a list on a card called “Rejection Recovery Strategies” and tack it to my bulletin board. And the next time a book or proposal comes back to me, I’m going to stop the presses, reach for that recovery card, and do as many activities as it takes until I feel better.

I suspect that if we do this for a day or two-the necessary self-care and self-nurturing-we’ll be able to write in a few days. Maybe even sooner. Rejection causes wounds, and wounds need to heal. Pretending the wound isn’t there won’t work. It will just fester if left untreated-and it might get so painful that you give up writing altogether. And that would be a shame.

If you have a minute, share with me a favorite rejection recovery strategy of yours!

February 15, 2010

I spent much of last week sick in bed, but it gave me a chance to read more than usual. I got a couple of “aha!” moments from the book I was reading (Who Switched Off My Brain?) mentioned last week.

The book deals with what the author calls “the Dirty Dozen” areas in our lives where we create our own problems, often by well-meaning efforts. This toxic behavior can derail our purpose in life and steal our dreams–including our writing dreams.

Two of the dirty dozen that hit me between the eyes was “toxic seriousness” and “toxic schedules.” And I knew that I’d stumbled across two of the reasons I was sick instead of fighting off common viruses.

AHA! #1

I’ve known for years that negative emotions like anger and unforgiveness can literally make you physically sick. But did you know that an absence of fun in your life can make you sick too?

Laughter IS the Best medicine!

For a lot of reasons, I grew up with the firmly entrenched idea that “life is a serious matter.” People who didn’t take life seriously annoyed me. I thought they simply didn’t understand the situation!

Well sometimes life is no laughing matter, but you still need to incorporate more fun in your life. [I finally understood why I felt so much better physically after spending time with my grandkids, despite being tired. I laugh a lot more on those days!]

Did you know this? Studies show that “a really good belly laugh can make cortisol drop by 39% and adrenalin by 70%, while the ‘feel-good hormone,’ endorphin, increases by 29%…Laughter boosts your immune system by increasing immunity levels and disease-figthing cells.”

Another medical study showed that humor gets both sides of your brain working together, which is so necessary to writers. We need to be both creative and editor-minded (left-brained and right-brained) in order to do our best writing.

So take time to bring fun into your life today–and every day. Look for the humor in situations–or even yourself. Watch a funny video. Read something that tickles your funny bone. Tell a joke!

AHA! #2

In my case, I realized over the weekend that my “toxic seriousness” went hand-in-hand with what the author called “toxic schedules.” One had a direct impact on the other. My overly serious attitude about life leads to an over-scheduled week that doesn’t work unless I invent a 48-hour day. And, of course, a packed schedule adds pressure and just reinforces an overly serious attitude.

Current brain research shows that there’s a lot more at risk than just being tired when you over-schedule yourself. Of particular interest to writers, without sufficient relaxation in your lifestyle, “you will become a less effective thinker, defeating your ability to accomplish the mental tasks that stole our relaxation in the first place. In fact, for the brain to function like it should, it needs regroup/consolidation time. If it doesn’t get this, it will send out signals in the form of high-level stress hormones, some of which are epinephrine, norepinephine and cortisol. If these chemicals constantly flow, they create a ‘white noise’ that increases anxiety and blocks clear thinking and the processing of information.”

To put it another way, relaxation is NOT a waste of your time. You’re doing your brain–and all of your writing processes–a big favor.

Live–and LEARN

So how did that impact my weekend? I spent Saturday with my grandkids (ages 4 and 7), guaranteed to produce the belly laughs I needed. And I took off Sunday with my husband to visit some family, go to a movie, window shop a bit, and eat out. I slept like a rock last night and feel like a million bucks today.

And now to make this a guilt-free habit!

February 12, 2010

Does your current writing project excite you, pulling you magnetically to the keyboard, eager to get to work? Or does it (let’s be honest) sometimes simply bore you?

It could boil down to the reasons you chose this project.

What’s Your Motivation?

Instead of a project that challenges you as a writer, you may have chosen a project that is “comfortable.”   (Perhaps you’re writing another formula teen romance because you’ve written half a dozen of them and know it will sell.) Instead of choosing a project that promises personal growth as a writer, your only goal is that the end result bring fame or money.

There’s certainly nothing wrong with fame or money, nor is there anything wrong with writing something that is on the current popularity band wagon. But unless the subject personally excites you, your writing days will drag and you’ll probably produce a lackluster manuscript.

Why is this?

Adventure on the Journey

I was reminded of the need we have for a challenge when I read something this morning, courtesy of Elizabeth Crews. It was about Sir Francis Drake, the British explorer in the 1500’s, who was trying to round up a crew for a mission. (Remember: writers, like Drake’s crew, are explorers into the unknown.) Read this intriguing account below.

Many years ago, the great explorer Sir Francis Drake was attempting to recruit a number of young men for an upcoming exploration. Drake gathered the group of would-be adventurers around his ship and told them that if they came with him, they would see some of the most marvelous things their eyes could possibly behold. They would discover azure waters, sandy white beaches, lush tropical forests, priceless treasures, exotic foods, and friendly natives. Paradise was beckoning–and this incredible experience could be theirs if they came with him. Not one of the men in the group enlisted for the journey that day.

The next day, a different group of men came out to hear what Drake had to say. Drake told them that if they came with him they would encounter storms that would terrify them and fierce winds that would blow them off course for months. The sea would be rough and stormy, and, if they made it to shore, the natives would be fierce and the food would be unfamiliar. Drinking water would frequently be scarce-why at times they would be so thirsty that their very souls would cry out for just one drop of water. In short, danger would be their constant companion. Drake concluded by declaring that if the men could handle these things, the joys of exploration would exceed their wildest dreams. Every single one man in the group joined Sir Francis Drake that day. Some did not even go home to say goodbye to their families, but instead just boarded the boat, eager to begin the journey.

What made the difference in these two groups? Why did the first group turn down the mission and the second jump at the chance? Was the second group different and more adventurous than the first? The answer is no. It was not the men who had changed; it was Drake’s message. The first message presented comfort while the second offered change; the first spoke of rewards while the second spoke of challenges. The first tempted them with things; the second promised them an experience unlike any other.

Do You Long for Adventure? 

Which group do you belong in? If you’re stuck in the “comfort” group, how can you move to the “challenge” group so that you become eager for the writing journey?

Writing can be difficult, so be sure that you’re doing everything in your favor to keep enthusiasm alive!

February 10, 2010

According to the National Science Foundation, the average person has about 12,000 thoughts per day, or 4.4 million thoughts per year.

I wager that writers are well above the average because we read more and writing causes us to think more than the average.

Who’s In Charge?

I had known for a long time that our thoughts affect our emotions, and that toxic “stinking thinking” could derail our writing dreams and health faster than almost anything. You are the only one who can decide whether to reject or accept a thought, which thoughts to dwell on, and which thoughts will become actions.

But sometimes–a lot of the time–I felt powerless to actually do anything about it on a consistent basis. Sometimes I simply felt unfocused and overwhelmed.

Need a Brain Detox?

I’ve been reading a “scientific brain studies” book for non-science types like me called Who Switched Off My Brain? by Dr. Caroline Leaf Ph.D. which has fascinated me. With scientific studies to back it up, it shows that thoughts are measurable and actually occupy mental “real estate.” Thoughts are active; they grow and change, influencing every decision we make and physical reaction we have.

“Every time you have a thought, it is actively changing your brain and your body–for better or for worse.” The author talks about the “Dirty Dozen”–which can be as harmful as poison in our minds and our bodies.

Killing Our Creativity

Among this dozen deadly areas of toxic thinking are toxic emotions, toxic words, toxic seriousness, toxic health, and toxic schedules.

If you want to delve into the 350+ scientific references and pages of end notes in the back of the book, you can look up the studies. But basically it targets the twelve toxic areas of our lives that produce 80% of the physical, emotional and mental health issues today. And trust me. Those issues have a great deal to do with you achieving your goals and dreams.

There Is Hope!

According to Dr. Leaf, scientists no longer believe that the brain is hardwired from birth with a fixed destiny to wear out with age, a fate predetermined by our genes. Instead there is scientific proof now for what the Bible has always taught: you can renew your minds and heal. Your brain really can change!

Old brain patterns can be altered, and new patterns can be implemented. In the coming days, I’ll share some more about the author’s ”Brain Sweep” five-step strategy for detoxing your thoughts associated with the “dirty dozen.”

But right now I’m going to read about the symptoms of a toxic schedule. I have a suspicion…

February 8, 2010

For a variety of reasons, I need a break from the computer today. So in lieu of something original, I’m pointing you to seven short blog posts I read over the weekend. Each made a good point–each is very useful.

I’ll be back to nag, push and inspire you on Wednesday!

So Many Blogs, So Little Time

• Dealing with other writers’ good news–when we don’t have any–can be tough. For help with this, see “Jealous Much?” Part I and Part II
• Are you an early riser to get a jump-start on your writing day? Good–unless you’re robbing yourself of one vital thing. See “Sleeping Enough is More Important that Early Rising.”
• Are you tired–or heading toward burnout? See the twelve phases of burnout and how to recognize it: “Avoiding Burnout”
• Is technology and social networking robbing you of needed study and writing time? Read this shocking report!
• Should you blog or vlog? Read “Purposeful Blogging.”
• Why does “write what you know” mean “write with authenticity” to this agent? Read it here.

February 5, 2010

Even the most dedicated writers need a break sometimes. The brain gives out (often on Fridays), or the back and neck scream for relief. Sure, you can always read more email or surf the web or watch a re-run.

On the other hand, says Arthur Plotnik in a February, 2010 article in The Writer, “Take a productive break from writing.”

His definition of such a productive break includes “activities that can bolster my writing even as they give respite from its grind…A boost [to my writing] in quality or quantity is my criterion for ‘positive’ avoidances.”

Good for Your Writing

Time-wasting breaks produce guilt for not writing, leaving us feeling disgruntled at the end of the day. On the other hand, a break taken to bolster our writing skills is both refreshing and growth-producing. And guilt free!

Read Plotnik’s entire article for many more unusual ideas. (He’s the author of Spunk & Bite: A Writer’s Guide to Bold, Contemporary Style and is on The Writer’s editorial board.) Here are just a few of his suggestions to whet your appetite for the next time you just have to get away from your desk:

• Talk a walk in your neighborhood as if seeing it for the first time. In your pocket notebook, jot down images and sensory perceptions and things you overhear and character descriptions.
• Visit a botanical garden, aquarium, museum, zoo, etc. where things are displayed and labeled. Collect metaphors based on the things you see, such as “a roommate like a stinkhorn fungus.” (Plotnick)
• Wander through your local library’s exhibits, and look through community bulletin boards and local history collections for ideas.
• Watch a “dopey adolescent sitcom” to update one’s YA-dialogue skills.
• Play an instrument or do a drawing.
• Build your inventory of character names from a directory.
• Spend time with someone in an interesting occupation, absorbing the details of a job one of your characters might perform.

Or do like me-and catch up on reading inspiring magazines like The Writer!

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