Blogger KRISTI HOLL is the author of 35 books, including WRITER'S FIRST AID.

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August 29, 2008

The germination stage, according to Louise De Salvo Ph.D. in Writing as a Way of Healing, is a time “during which we gather and work on fragments of ideas, images, phrases, scenes, moments, lines, possibilities for plots, characters, settings. Sometimes we don’t quite know what we’re doing or where all this is leading. Sometimes we feel like we’re working haphazardly. Sometimes, though, we have a clearer conception.”
During the germination stage, my Type A personality wants to organize, and yet so much of what occurs to us during this time isn’t “organizable” yet. I used to follow advice I’d read to write down ideas on scraps of paper and stick them in a folder, but I soon found that my own personality hated that. I would open the file folder, see all those scribbled scraps on paper napkins and file cards and the backs of receipts—and it looked like chaos. Chaos of any kind has never been conducive to writing for me. And yet, if you push yourself to organize during the germination phase, you are almost sure to derail any creative impulses trying to emerge.

So is there a solution to getting through this phase and gleaning from it everything you need to start working on your novel or project? I suspect this is an individual matter, but for me, this is what works to keep me from derailing during this phrase:

1. Follow your urges to read. They will come at such odd moments. You’ll be sorting through junk mail or paying bills, and suddenly you see a flyer on how to save on your water bill. Although ninety-nine percent of the time you pitch this junk unread, today you feel the nudge to read it. Pay attention to your urges to read. I have thus found careers for certain characters, plot twists and whole subplots, and clues for mysteries. The germination stage is a wonderful time to browse in museums, art galleries, antique shops, flea markets, and other places where you can let your mind and eyes roam. Watch what snags your attention and make note of it.
2. If you feel you must organize (like I do), get a three-ring notebook and those colored divider tabs. (This method has served me well through thirty-five books.) Make sections for book and chapter titles, character, plot ideas, setting, dialogue, and whatever else you’re collecting. Continue to write things on scraps of paper as they come to you, but after you have several scraps, sit down with your notebook and add the information behind the correct colored tab. Is it a snippet of dialogue you overheard on the bus that is just perfect? Transfer it to the dialogue section. Did you find an odd fact about 1940s mail carriers? Put it in the character section. Is it a bizarre thing that someone did that you saw in the newspaper? Add it to the plot section. None of this is written down in any order, but as your sections fatten with ideas, your mind will (quite unconsciously) start to sort it out and make connections. In a later stage, when you go through the various sections of notes, you’ll be amazed at the ideas that will have begun to gel. (We’ll talk about the working stage next.)

What is the germination stage like for you? How do you handle the frustrations inherent in this stage?
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August 27, 2008

In Writing as a Way of Healing, author Louise De Salvo, Ph.D. delineates seven different stages of the creative process—and warns how we can derail our entire writing process with certain behaviors at each stage. “For our writing to be healing,” Louise says, “it’s important for us to understand that there are different stages of the writing process, and different challenges at each stage.” It’s important to be able to write in a healing way, without undue anxiety. “I’ve come to understand,” Louise says, “that the most healing way of approaching the writing process is to focus upon the potential and possibilities for growth rather than upon its problems and pitfalls.”

Ms. De Salvo talks about seven predictable stages we pass through with each creative project. While sometimes stages can overlap, they are distinct stages with separate challenges—and different opportunities for us to grow as writers.

The seven stages are:

The preparation stage comes first. This is when puzzling ideas and odd images and snippets of conversation drift in and out of our dreams and musings. We wonder what they mean, and we’re intrigued. At some point we stop musing and begin to put things down on paper, trying to organize our thoughts, figuring out what genre or literary form we want to use and possible viewpoints. “Beginning writers,” says de Salvo, “often spend far too little or far too much time at this stage; some avoid it altogether and plunge right into working, which can derail our process.”

How do writers sabotage themselves during the preparation stage? Several ways. One big way is by not writing down those fleeting thoughts we have at odd times. It’s not so much that we think we’ll remember those thoughts later. It’s more because the thought seemed rather silly, certainly insubstantial. We decide at some level that the idea just isn’t big enough to warrant attention—and so it’s lost.

On the other hand, you may take this initial stage so seriously that you shut down. You may expect too much of yourself, thinking that if you were a “real writer,” you’d have a plan! You’d know where all these odd bits and pieces floating around your head belong. You expect the images and musings to fit into a pattern much too soon, and this kind of pressure can give you a lovely writer’s block before you ever get started.

In this preparation stage, in order to get the most out of it, give yourself permission to think and make note of trivial thoughts. Write down everything, no matter how unconnected it might seem to anything you want to write. Eventually, these odd bits and pieces may start making connections and spark other ideas that will be more useful or substantial. Learn to enjoy this stage! Force yourself, if you’re a Type A organizational freak like me, to let your brain slowly release ideas to you. Don’t force connections immediately. Don’t try to make each snippet “mean something.” Let it happen for a while. For quite a while, actually. Remember, you’re just in the preparation stage.

What’s the preparation stage like for you? Do you enjoy it? If not, how do you deal with the frustrations?

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August 25, 2008

I don’t know how many of you have pig-out weekends with wake-up calls on Monday morning, but I had both. So this morning I was reading a few motivational articles online for getting myself back on track, and it struck me that getting fit and getting published have a lot in common. The problems that derail us and the solutions proposed by the “experts” can almost be interchanged!

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August 22, 2008

How essential is writing to your basic well-being? Does journaling about troublesome issues help you find your way to solutions? Does not writing distress you? I’ve been thinking about these questions this week as I’ve journaled and worked through the book Writing For Emotional Balance: A Guided Journal To Help You Manage Overwhelming Emotions. I shouldn’t be surprised, but I was astounded at the relief and help I found simply through journaling. I use the Life Journal software, password protected, and I found it so helpful, coupled with the exercises in the book.

That made me remember another favorite book from years past:
Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives. The author, Louise De Salvo, Ph. D., shows “how people change physically and psychologically when they work on projects that grow from a deep, authentic place.” I’ll be sharing about that next week, but this weekend, chew on this question:

What does writing mean to you?

To kickstart your thinking, here are some famous writers’ opinions. Ray Bradbury is quoted as saying: “Writing is survival… Not to write, for many of us, is to die. I have learned, on my journeys, that if I let a day go by without writing, I grow uneasy. Two days and I am in tremor. Three and I suspect lunacy. Four and I might as well be a hog, suffering the flux in a wallow. An hour’s writing is tonic. I’m on my feet, running in circles, and yelling for a clean pair of spats.”

Alice Walker, author of The Color Purple, said: “Writing is a matter of necessity and that you write to save your life is really true and so far it’s been a very sturdy ladder out of the pit.” She sees writing as a safe and strong and dependable way out of a pit.

Again: What does writing mean to you?
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August 20, 2008

Into each life some rain must fall…as the saying goes. And when the difficulties pour on for days on end, our emotions get on overload, making it difficult to write. It’s been that kind of week or two for me, but yesterday I was reminded that I already had the tools to deal with this. A link in an email went to the article, “The Brain, Emotions, and Writing: Why They All Work Together” by Beth Jacobs, Ph.D. The article reminded me of some things I had once learned–out of necessity–but then forgotten when life calmed down.

If your emotions are doing the roller-coaster thing on you today, and inner turmoil keeps you from writing, I recommend both the Writing for Emotional Balance book and website. The exercises and explanations in the book (also by Beth Jacobs) were so helpful to me years ago and again at this time. According to her website:

These are the kinds of experiences that “Writing for Emotional Balance” addresses and helps you manage:
~ You are flooded with feeling to the point of being paralyzed, confused or unable to speak.
~ You understand where your feelings come from but don’t seem to be able to alter the emotional patterns you experience.
~ No matter what happens, your thoughts eventually lead into the same negative statements about yourself.
~ You want to express yourself, but you have no idea of where to start or how to articulate your feelings.
~ You are easily caught off guard emotionally and surprised by the quality or intensity of your own emotional reactions to people.
~ Your feelings seem random, erratic or hopelessly complicated.
~ Emotions stew inside of you and never seem to resolve.
~ You get obsessed with people or situations that you think should be insignificant.
~ You decide how to act in a situation and when it occurs, you do exactly the opposite of your intention.
~ You get frustrated with your emotions or you just hate to feel them.
I do believe that “as a man thinketh in his heart, so is he,” and this book helps you distance yourself from the stuff churning in your heart so you can actually address the thoughts feeding those overwhelming emotions. Have you found journaling helpful in processing emotions that get in the way of your writing? If so, can you share a bit?
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August 17, 2008

I need to get a lot of writing done this week, finishing a novel revision so it can be critiqued by my wonderful critique partner who is giving me her only free day next week to look at it. I was dividing up what needed to be done each day this week, thinking of ways to keep track of the revision words. (It’s much easier to track rough draft words, don’t you think? You can count 2,000 new words done today because you wrote eight new pages. With revision, it’s harder to measure. I might revise two chapters, but do I say I revised 5,000 words? Only 1,000 of those words might have needed fixing, since it had been revised many times already. Or next time I might hit a very rough chapter or one that needs extensive changes, and so I’d only be able to say I revised 1,000 words, even though I actually worked at the computer twice as long.)

How do you track your writing? Daily words written? Daily words revised? Hours written, regardless of the word count? Do you use scraps of paper or a spreadsheet to tally your word count? Keeping track is encouraging, showing that you’ve made progress, but I haven’t found a system yet that truly works for me. For one writer’s view on this subject, see Rob Parnell’s “How Many Words Do You Write?” posted last week on his Easy Way to Write blog.

Another view of this subject asks: Is learning about writing a good substitute for writing? On Mary DeMuth’s blog, someone said, “I’d be published but … I’m too busy learning how to write instead of just writing.” On her “So You Want to be Published” blog, Mary’s answer was in part: “There is a balance between the two. You do need to study the craft by reading excellent writing books and magazines. Perusing classics or exceptionally-written modern book helps too. Listening to teachers, attending conferences, doing online courses, and putting your stuff out there for critique will help tremendously. But truly? The secret to my publishing success lies most in volume. I’ve simply written and written and written and written. Lots of writing. Gobs of it. For years and years. To become proficient and compelling, there’s no simple formula other than to exercise your fingers across the keyboard over and over and over again.”

I am happier and a better writer when I write nearly every day. But I can also fool myself about how much I’m writing unless I keep track with some system. I need both accountability and encouragement. Anybody got a great system for tracking word counts for rough drafts and also revisions? Let me hear from you!

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August 15, 2008

(First read “Writer Imaging” Part 1 and Part 2.) Here are the final attributes of a happy writing life…

4. Staying focused on the positive. View your writing life as a series of opportunities and growth experiences, even though some experiences (like rejection slips) may involve pain. Focus on the excitement of finding a good idea, or researching a fascinating subject, or working in a quiet library where you can still smell the stacks of books.

In the same vein, avoid worry, anger and depression wherever possible, and if it’s a part of your life, stop and deal with it. In The Right to Write, Julia Cameron says: “the truth is that too much torment and too much depression can make it as difficult to write as to make the bed, wash the dishes, do the laundry. To the depressed person, writing may present itself as one more chore. For this reason, we are actually working on our writing when we directly address the larger issue of our happiness.”

5. Spending time socializing with other writers. Form writing and critique groups. One word of caution, though: choose WORKING writers, not just people who like to talk about writing someday or go to workshops. Choose writing friends who actually are committed to writing consistently and trying to improve. Iron sharpens iron. You need writers who will hold you accountable, not for sales, but for trying, for studying the markets, for revising, for doing thorough research, for your daily journaling, or whatever writing activities you’ve chosen for your growth. And if the writers you meet with stop writing, don’t feel compelled to remain in the group. Drop out and find other working writers to socialize with. You will help each other along.

The Whole Truth and Nothing But
Believe it or not, winning an award or being the author of Oprah’s book club selection would NOT change your writing life, either for better or for worse. That’s because fame and fortune (both which are fleeting) are not the elements of a good writing life any more than being thin guarantees happiness for women. Incorporating the above five elements in your life will do a lot more for creating a happy writer. The best part about this news is, of course, that these five attributes are totally under your control. They don’t depend on the shifting markets, changing times, or fickle public taste. Each attribute of a happy writer’s life is attainable by every writer. So start today. Right now. Change your perceptions of what a successful writer’s life entails. Then go out and make it happen for yourself.

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August 13, 2008

First read “Writer Imaging” Part 1.
According to our most reliable sources—happy writers—the “good writing life” is actually dependent on the following conditions:

1. Staying active, writing every day, even if it’s only a journal entry or your Morning Pages, as promoted by Julia Cameron’s The Artist’s Way.

2. Staying organized. Whether selling or not, most writers are happier when they’re writing on a daily basis. Many writers claim that they’re better parents, spouses and friends when they’re writing. I can attest to that myself. This is where being organized comes in. When our offices overflow with stacks of unanswered mail, unread newsletters, and scraps of paper everywhere, the messiness often makes us depressed and antsy, unable to sit down and work.

On the other hand, being organized calms us and makes us want to write. This becomes a daily “happiness” habit after a while. Elaine Fantle Shimberg, in her book Write Where You Live, says organization builds routines. And “routines created to fit your personal schedule and time commitments can quickly become work habits. These habits help you to assume the professional persona as soon as you enter your office space… Routines help you prevent sliding into procrastination,” a nasty habit that can make us unproductive and miserable.

3. Staying productive with meaningful work. When we’re working on a project that feels important, that we know will benefit our readers in some way, we’re happier writers. These tend to be stories and books we need to write, such as the book that “in some way speaks profoundly to the core of his [the writer’s] beliefs, the emotional and spiritual and intellectual center of his life” (from Philip Gerard’s Writing a Book that makes a Difference). When your work is meaningful to you and touches others’ lives, you’re a happy writer, whether it ever makes you rich and famous or not.

(We’ll talk about the last two requirements for a satisfying writing life next time.)

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August 11, 2008

Picture this: you’re feeling strong and confident. Your writing is going well, you’re in the flow. That is, until you see her, that Famous Writer, on the cover of Writer’s Digest or being interviewed on the “Morning Show.” Rejection slips and cash flow crunches are just distant memories to her. Or maybe it happens closer to home. Someone in your writing group sells a series and is suddenly catapulted into living your dream: The Perfect Life of a Successful Writer.

Why couldn’t this perfect writer’s life be yours? Eyes squinted and stomach churning, you’d gladly trade your computer for a slot on the NY Times Bestseller list. Or any list, for that matter. No chance, you think glumly. Your self-esteem plummets, you scorn your own wishful thinking, and you reach for the nearest (writer’s) block enhancer: food, drink, TV, etc. The writing is forgotten for a day or a week … or a month.

False Imaging
The above writer is a victim of “writer imaging.” Just as young girls and women are subjected daily to airbrushed and computer enhanced images of perfect women which create a distorted body image, writers are exposed via magazines, newspaper interviews, websites, podcasts and bookstore signings to distorted images of writers. Unless you boycott all media, you can’t avoid these images. However, you CAN avoid the other part of the problem: your own perception and resulting lowered self-esteem.

The Illusion
The writing world focuses on fame, like society focuses on thinness, often to the point of obsession. And “fame” is a relative term-to one writer it means selling a story to Highlights so all her friends will read it in the dentist office. To another writer, fame is an award, a contract with a big name publisher, or being asked to speak at a conference. Media messages associate writing success and fame with the perfect writing life-a better, happier, more successful life. But this false image of perfection falls far short of reality. The promise is an empty one.

The Truth

Biographies and profiles have shown that the attitudes and behaviors shared by happy writers have nothing to do with fame or fortune, just like being a happy woman has nothing to do with being thin and beautiful. Thanks to years of popular mainstream media and entertainment perpetuating the myth, many girls and women have been conditioned to believe that happiness was something only for the thin. And thanks to years of writer profiles in the media, new writers have been conditioned to believe that their contentment depends on publication and sales. However, according to our most reliable sources—happy writers—the “good writing life” is actually dependent on five conditions.
(We’ll be talking about those five conditions this week. In the meantime, what’s your own image of a successful writing life? Has reality measured up to your original image?)
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August 8, 2008

This week I’ve been studying the subject of voice, and I’m enjoying (again) Les Edgerton’s excellent book Finding Your Voice: how to put personality in your writing.
He says that most of our daily contacts with people (spouse, people at your day job, small kids, people at the coffee shop) aren’t readers, at least not readers like you are. They may be casual readers, but not readers to the depth you’re a reader. He asks:
“What does this mean to you as a writer? Only this–it’s easy to begin to think of your own potential readership as being comprised of the same kinds of folks you see at work or at play or bearing a strong resemblance to the famiy next door… After a while, it’s only natural to imagine most people in the country itself are pretty much like the folks you see every day. Well, most folks are…but those aren’t your readers, usually. Your reader is yourself.”
His advice is to remember that your reader is yourself–or someone much like yourself. (Someone who shares your interests, knows just about the same things you do, has a reading background and history similar to what you’ve had.) Except for your writer’s group or a friend who reads as voraciously as you do, you may not have a lot of contact with this potential reader, but they’re the ones you should be writing to. Why–and what does that have to do with finding your true voice?
“Make yourself your intended reader. By writing to you as your reader, you get closer than at any other time to getting your real voice on the page. You write naturally.”
For more about this intriguing way to find your true voice, get the book above and read Chapter Five: “Here’s Lookin’ At You, Kid…A New and Different Way of Looking At Your Audience.” Let me know what you think about this. Does it change the way you write? Does it make it easier?
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